Interview with hollowboy

By Deaglan Howlett | Posted Saturday, May 7, 2022

Matthew Kessig has been releasing his fuzzed-out and introspective rock and roll under the name hollowboy since his first single under the name in August 2019. Since then, Matthew has released a handful of more tunes, ranging from early-era Weezer to modern bedroom pop. Throughout these releases there has been a constant with which hollowboy gets its unique sound; that constant being Matthew writing and performing all the instruments on his recordings. His latest single “something in the air” was self-produced and part of the Voices of Freedom: Artists in Support of Ukraine put together by local NJ artists Luke Lenczuk and Nicolas Palermo (Have a Good Season). I reached out to Matthew to tell me more about hollowboy and his songwriting/recording process. Thanks again, Matt! 

Who were your influences when first starting hollowboy? How have they changed over the years?

Honestly, there are a million bands that I could say I have taken inspiration from, but my friends have been my biggest influence. So many of my friends are incredibly talented creatives and push me to be a better musician at all times. There's almost a sort of mushy-competitiveness about it where we all are trying to achieve our own versions of 'success' while also supporting each other. I'm really, really lucky to be surrounded by so many great people that also happen to make great art, so it feels like my music has been shaped by those relationships. But also 1994-2001 era Weezer.

How does hollowboy differ from any of your past projects and bands?

hollowboy essentially began because I was sitting on a stockpile of unreleased songs. I have been in a few bands in my life and loved all of those experiences, but I was never the core songwriter for any of them. I just wanted to have an outlet where I'd have 100% creative control over the music and not have to try and fit my pieces into somebody else's puzzle. It's a blessing and a curse. Sometimes it's nice to have another mind to keep yours in check, but I find myself more attached to these songs than anything else I've done because of it.

You play all the instruments for your own songs. Which instrument do you start with first? What usually follows?

I would say almost all of my songs are written on acoustic guitar. I am an enigma in that I am a musician that gets anxious about being too loud, so if I'm playing at home it's almost always acoustic. That being said, drums are lowkey the most important thing to me. I spent so many years playing drums that it's just a part of my soul now, can't be separated, so while I'm writing the guitar parts I'm envisioning what the drums will be in my head. It's not until I lay down the guitar and drums in GarageBand that I start to figure out any additional parts, which there are typically many of. 

Your latest release "something in the air" was part of the Voices of Freedom: Artists in Support of Ukraine compilation. Can you tell us about that track and how you got involved with this compilation?

Two of my very close friends Nic and Luke put together this compilation. Luke approached me with the details and asked about possibly contributing a song and obviously there was no other answer than yes. 'something in the air' was one of those previously mentioned stockpiled songs that I had written at a time when the world just wasn't feeling right to me. It, unfortunately, felt relevant again, so I sent it over to Luke. They did such an incredible job putting this compilation together and got so many great artists to be a part of it. I recommend everybody please go check it out and donate to the cause. It would mean a lot to us.

"something in the air" is also self-produced and sounds amazing. What do you think are the advantages and disadvantages of self-produced recording?

The advantages/disadvantages are essentially the same as the band vs solo question. Working by myself is nice because I have complete creative control and unlimited time to be able to tinker it to how I hear it in my head. Explaining the sound in your head to someone is not easy. The downsides are that I have no idea what I'm doing and nobody can help me. 

All of your songs have a distinct feel since you are the sole instrumentalist. Any plans to record a hollowboy release with other musicians? And how do you think that would change the sound, if at all, to you? 

I've always tried to make hollowboy at least somewhat collaborative throughout. I always send my music to friends and encourage them to give me feedback or even contribute some parts if they have ideas. Speak of the devil, you've ripped a few guitar solos and bass lines on hollowboy tunes. It would be a massive waste for me not to utilize all of the talent I'm surrounded by, so whenever I get the chance I try and get my friends to add their own touch to my songs. 

The thing is that I don't have any plans at all. I pretty much have been operating on my own out of necessity. I sadly don't have unlimited time to dedicate to music even though I wish I could drop everything to do it, so gathering members and regularly practicing is not easy. hollowboy may be a 5-piece one day, who knows, I'm honestly just here to have fun. The second it stops feeling fun is when it'll be over.

Who have you been listening to lately that you can see influencing hollowboy music going forward?

I'm always trying to listen to new bands. Fast, slow, light, heavy, whatever. As long as it's catchy or makes me feel something, it's going to make me want to write a song of my own. “Baby Bye Bye” by Beauty is a hell of a song, though.

You can keep up with all things hollowboy here and support Voices of Freedom here!

Interview with Kqhyt Kqhyt

By Deaglan Howlett | Posted Monday, April 25, 2022

Kqhyt Kqhyt has to be one of my favorite bands to emerge from Asbury Park since I started writing for Jersey Indie. Whether you know how to pronounce their name or not, you have no doubt caught them playing their booze soaked rock and roll throughout Asbury Park. Since forming in 2019, their long anticipated first single “Carey Bronson” was released April 8th of this year. Accompanied by a great music video, their self-titled release came out April 22nd and is available to purchase here. I recently reached out to lead guitarist Alex Rosen and the band to talk about the beginnings of the band and their upcoming plans. Thanks again, Alex. <><>

When did you first start making music together? How was the band formed?

In early 2019. It is a bit of a long story, but the short of it is I had gotten Brian and Brendon down to jam. I went to Brendon's house and Bronson came down and asked when practice was. That was pretty much that.

What is your songwriting process like?

Brendon pretty much has a couple albums worth and growing of songs. So he brings some to practice and we just kind of work ‘em out.  Or he has older fully realized tunes and we all just work it to full band. I have contributed some songs and Brian has a few up his sleeve. It is a mostly collaborative effort. You hear this a lot with bands, but it is always cool to see how the idea you had for a song completely transforms when you bring it to other people and jam on it.

Favorite song you have written as a group so far? Why? 

Brendon wrote "Mullica" and I really dig how everyone kind of added their own little mark to it. Brendon had the song already done, but each member added themselves to it. Lyrically, it is great as well.  

Favorite venue to perform at? 

Not sure if we have a favorite of all time since we are pretty new. But places like The Saint, Asbury Park Yacht Club, and Bond St. have always been good to us.

You recorded an album last year. Who did you work with? How was that experience?

We worked with Pete Steinkopf at Little Eden. The experience went great, and I am really so happy with how the tunes sound and how everything came out. Pete knocked it out of the park!

The band name is super unique. How did you end up with it and what does the band name mean to you?

No comment at the moment.

Your first single “Carey Bronson” is accompanied by a great video. Who did you work with for the video and how was that experience?

I went to my bud Mike Brown (Phasor Video) who is a really interesting dude. Does a lot of touring with big musicians as well as has a bit of a cult following in the WWE or wrestling world. I asked him if he would do a music video for us. We just gave him free creative control and that was that. I sent him, I think, three songs, and he picked “Carey Bronson.” It is cool just letting someone have their own vision on something you did. Kind of shows you how a song can mean different things to different people.

Any upcoming plans for the group?

We have a full-length out on vinyl and digital on 4/22. It is self-titled and limited to 100.  In late April, we are going to record our new record with Mike Mobius at Moonlight Mile. We also have a live album recorded, actually the final show at the Brighton Bar, just been slow-moving with it. We have some shows in Buffalo later this year and May 15th at Red Tank brewery. I would like to get a brewery to do a beer for us, get a tattoo gun and maybe give Bronson another nickname. Just try and make up for some lost time.

We have a bunch of merch we are working on and if you would like to grab our record and future items please check out our Bandcamp: kqhytkqhyt.bandcamp.com

Instagram: @kqhytkqhyt

You can find our stuff on Spotify and all that stuff too.

Thanks again.

You can listen to and support Kqhyt Kqhyt here <><>

Interview with Bobby Mahoney (New EP, "We Go On")

By Deaglan Howlett | Posted Friday, April 15, 2022

Bobby Mahoney and the Seventh Son are no strangers here on Jersey Indie, and we are always anticipating their next release. Their work ethic is unmatched and their appetite for songs with big choruses and hooks just seems to grow more and more with each new single. Bobby and his band had been hard at work for their newest release, “We Go On” (which premiered on 4/8), and we can now hear what they have been working on these past few years. To help celebrate this momentous release, they hosted a two-day Release Weekend at The Saint in Asbury Park with a handful of talent from up and down the East Coast. I caught up with Bobby to take a closer look at their latest singles “Moth to the Flame” and “Lay It On Me”, as well as what’s next for the band. Thanks, Bobby!

When did you start writing for your newest release, “We Go On”?

We started writing these songs in fragments in the later half of 2019. They have definitely been a slow-burn. There are other ideas that have been around longer, but I felt strongly about these as they came together, so they got to cut the line a bit. 

How did writing for this record differ from past Seventh Son records? How have you grown as a songwriter? 

This record was collaborative with all four of us, James McIntosh, Andrew Saul, Jon Chang-Soon, and I writing together. I would come up with skeletons/outlines/hooks in acoustic demo form, then I brought them to the others for us to flesh out as a group. The actual pre-production was done remotely, or in-person but masked and socially distanced due to the pandemic. James and I jammed through songs on his electric drum kit, Andrew and I made home pre-production Logic demos, and Jon and I discussed overall “vibe”, soundscape, structure, and arrangement at length ahead of recording as well. We didn’t know if it was going to be an EP, or the first half of a full length, but we felt the five songs we chose really stood on their own, and were a dense, impactful twenty minutes of music. 

“Moth to the Flame” is a rocker, the song also seems autobiographical. What remains to be your favorite thing about playing live shows?

”Moth to the Flame” is extremely autobiographical! It is about our need to create, despite all the factors that try to deter us from doing so. My favorite thing about playing live is when all the hours of practice and prep come together so I don’t have to think, I can feel. Which sounds silly, but I think there is a Keith Richards quote about something like that. When the four of us lock in, we can ride the energy, follow gut/instinct, and do what we know we can do. There are so many hours of things that are NOT playing the guitar that go into being a musician, so when we get to actually do what we signed up for for 20-60 minutes, and connect with people who care about what we do, it makes it all worth it. 

You’ve been playing shows for quite some time. How do you feel shows have changed if at all since the pandemic? 

I think it would have been a nice change to come back to shows with people being a bit more respectful of other audience members and the performers, but I don’t necessarily think that has happened. I think if anything, we are all now less likely to take it all for granted, at least I would really hope so. Before the pandemic, I caught myself taking live music for granted, and after losing it for over a year, I am extremely thankful for any chance I have to go see a performance or to perform myself. In a lot of ways, nothing has changed, yet everything has changed. We are still in weird times, but things are healing.

Who did you record “We Go On” with? Did you and the group do anything differently from previous recordings that you’re excited about?

We recorded “We Go On” with our good pal Joe Pomarico in his parents' basement in Holmdel, NJ. Aside from home demos and some pre-production phone meetings, we actually only rehearsed these songs a handful of times as a unit before we began tracking in Fall 2020. I wanted the songs to feel fresh, live, real, and given the circumstances, I wanted to capture the basic sound of people playing music in a room together. We tracked drums, bass, and rhythm guitars live over one weekend, and then spent a year overdubbing when we were able to get together, and doing Zoom editing/mixing/production meetings remotely! It was a weird way to make a record, but for this record — these songs, at this moment in time — it worked and I am very proud of what we were able to create.

The songs are “classic Seventh Son” — catchy with loud guitars and drums — but they have a new spin with this current line-up working together that led to some of the most exciting and unique songs we have ever recorded. We definitely wanted to push ourselves in every aspect to put out an EP that we felt represented what we do, and where we would like to go. 

What were you influenced by for your latest single “Lay It On Me”? How did that song come together?

I started taking notes for what became “Lay It On Me” while visiting Paris in August 2019. In the lobby of a hotel, they had old American Western movie posters on the wall, and I wrote some titles and taglines down. Many of our favorite songs were inspired from cinema, and many of the best songs are movies in themselves. Incident at Phantom Hill was too good not to note, and Fistful of Dollars is a classic. The irony of going all the way to France to be inspired by the American “West that never was” isn’t lost on me.

“Flower power and violence” is directly about the protests we saw in 2020 for the murder of George Floyd, the fights many Americans have had to wage on our own soil in order to secure their own rights/freedom in our history — painfully recent history — and present. Who the fuck is anyone to deny another human being the same rights they themselves desire and demand? “Will we find redemption?/Tune in next week.”

The song ultimately is about recognizing our own boundaries, and how much each of us can take on at once without being burnt out, burned, or burnt alive.

Musically, I wanted to focus on dynamics- starting very quiet and then gradually getting louder and louder, until it becomes one of the heavier moments on the EP. 

Thanks to everyone who has supported myself and this project over the years. We are excited to share with you all, and excited to see what the future holds! 

~

You can keep up with Bobby Mahoney and the Seventh Son here. 

Interview with Sara Abdelbarry (Teen Idle)

By Sonia Schnee | Posted Wednesday, April 13, 2022

In February of this year, Asbury Park alt-rock songwriter, producer, and multi-instrumentalist Sara Abdelbarry (a.k.a Teen Idle) released her first single in 2 years, entitled “Burning”, and this Friday, 4/15, she’ll also be releasing the official music video for it.

With the exception of drums recorded by Simon Ogilvie and Danny Murray, Sara played all the instruments featured in the song and recorded them in her basement. (Shoutout to Andy Schichter for mixing and Kramer for mastering!)

In March, Sara’s guitar and synth skills plus backing vocals were featured on the Arabic-language song “La ElWa2t Yesra2”, produced in collaboration with Egyptian artist 200 Shams, which you can listen to here.

If you’re craving more by Teen Idle, you can catch Sara performing live on 4/28 at Finnegan’s Pub in Hoboken, NJ with Sonic Blume and ØM-53, and again on 4/29 at Stage Dive in Glassboro, NJ with Awesome Possum, Winkler, and Nadir Bliss.

Sara/Teen Idle is currently working on a full-length album. If you want to be the first to find out when it drops, and stay up-to-date on upcoming shows and other announcements, be sure to follow @teenidlemusic on Instagram and Twitter.

To learn more about the inspiration behind “Burning”, Sara Abdelbarry’s personal and musical journey, and her plans for the future, check out our interview below.

Congratulations on the release of your recent single, “Burning." You had me hooked in the first 18 seconds. I was transported. Would you say “Burning” is a continuation of your past work or a departure from it?

Thank you so much. I’m glad the song was able to transport you — that to me is the best compliment. “Burning” feels like it grew naturally from the sounds of my EP, since I wrote it during the same time, but it’s also strikingly different in some ways (at least to my ears). Some people who listened to the single described it as shoegazey, which is interesting because I think of it as the least shoegaze inspired song I’ve released. The song incorporates a lot of the fuzzy guitars and sonic patterns of my prior releases, but with this song I definitely wanted the focus to be on vocals and lyrics in a way I wasn’t thinking about on my EP.

What can you tell us about the inspiration behind the song? Did you have a clear idea of what you wanted it to be about when you started writing? What was that journey like?

It was definitely a journey. I remember starting the song about 3 years ago when I was a senior in college. The first part I wrote was the instrumental, which I recorded into a computer. I remember thinking there was strong potential there. At that time I wasn’t thinking about subject matter or lyrics at all; I just thought I had a fun guitar riff. The instrumental ended up sitting around until one weekend when I came home from school. I was feeling torn about a crush I had, which sort of characterized my last few months of college, so I started to write some lines of poetry in a notebook. I was just spilling my feelings. Later, when I wanted to put those words to song, I remembered I had the instrumental for “Burning”; luckily it seemed to match up with the words.

I kept tinkering around with certain lyrics. I doubt anyone would think this a song about an unrequited crush by looking only at the lyrics, yet it is! Some of the lyrics are pretty dark without context — “glowing is the sunlight, but all I see is black” — but they‘re about being in a funk because of a complicated crush gone sour. For some reason, whenever I sing the song and get to that lyric, I end up smiling. I think it’s because this seemingly bleak lyric is actually empowering when I think about how tiny of a struggle this crush was in my life compared to what it felt like back then. Almost comically. It’s awesome to feel like you’ve matured.

Where did you record/who did you record with?

I actually produced the song alone and recorded it in my basement, which I turned into a DIY studio. I was lucky to have my friend Danny play live drums on the song and record it at a separate studio. Other than that, I played all the other instruments myself. It was definitely a learning experience, and super fun. You really have to commit to finding certain sounds for a song — in a dream situation they come in five minutes, and other times in five days. It took weeks for this one riff to come out that I think made the whole song. The nice thing about recording at home is that you’re not under some deadline or budget, but I definitely have more fun when friends play on my songs.

Is music-making something that runs in your family? How did you get to where you are today?

Boy, I feel like this is a fun one. I don’t know of anyone in my family, even generations back, who pursued music as a career, but one side of my family is definitely the more creative one — it seems like all my first and second cousins make art in some way, whether singing, visual art, or even tattooing. My mom used to make paint and collage and my grandmother used to write poetry. My dad also makes these doodles that I find artistic.

Back in Egypt, where my family is from, my one side of the family was involved in the film industry, with my grandmother’s first cousin managing to make a name for herself. Some of the family started acting or getting involved with film, so I feel like that’s a major influence for me. Even if it’s film, not music. The sentimentality of Arab cinema is actually a huge influence on my creativity, which I didn’t realize until recently.

The reason I became obsessed with music in the first place was because of family — my older cousins, who I thought were the coolest people ever, would watch MTV with me and illegally download songs for me on LimeWire. This is why I was listening to 50 Cent in kindergarten. I was so into MTV that the first album I ever bought as a child was Sweet Escape by Gwen Stefani, after seeing her music videos on there. This and Kelly Clarkson made me want to be a performer.

What do you hope people will walk away feeling or thinking about when they listen to “Burning”, specifically, and/or your music in general?

Dang, I just hope that you gain something from listening to this song or my other songs. Whether that’s a comforting feeling, a realization about something in your own life after listening to the lyrics, or just a new song that you can add to your playlist and bop your head to. I secretly (yet not so secretly) hope that people are playing “Burning” in the car and feeling nostalgia. I don’t think about this when I write, but it’s cool when someone listens to your song and walks away with a lingering feeling of happiness, hope, reflection, whatever, that they’re thinking about for days.

What’s next on the horizon for you? Are you playing any shows? When can we expect to hear your full-length album?

So many things! I’ve been hard at work on a full-length album for what seems like 5 million years now, so once I get around to reaching out to some people and making the moves I need to finish it, it’ll be out. Hopefully before the end of the year. I’m definitely starting to play more shows in NJ. I’m playing at the basement of Bond Street Bar on 4/7 with Idle Wave, and 4/28 at Finnegan’s Pub in Hoboken with Sonic Blume & 0M-53. Tickets for Hoboken are on sale at the link in my Instagram bio.

Is there anyone who you’d like to give a shout-out to?

Most definitely — everyone who listens to my music and especially those who take the time to message me about it. I appreciate you. Also my parents for being literally the most supportive people ever. Catch them at most of my shows. My mom helped me make some stop motion art for the promo of “Burning,” and it turned out incredible, so go take a look at the Canva video that Spotify plays on your phone with the song! My mom made that.

Is there anything else that you want people to know about you and your work?

I started putting together a compilation during Women’s History Month, which will include female artists from around the area and beyond (as far as Australia) covering songs by other female artists. It will be available on Bandcamp and all proceeds will go to Nomi Network, which helps women who are at risk or victims of human trafficking get a jumpstart on their lives through social and economic assistance. Follow my Bandcamp for notifications when it’s released. I wanted to do something to celebrate talented women making music, but it’s also important that we’ll be doing our small part to raise money for a great cause that empowers women globally.

Do you have any words of advice or encouragement that you'd like to share with people who need it?

When it comes to making music, I feel like the most success is had when people stop focusing on fancy gear or plugins, and instead just try to make the best song they can make. For life in general, my life started to open up in ways I could never have imagined when I stopped giving in to fears. If you take baby steps to get rid of whatever fear holds you back, you’ll see how magically the world starts to open up. Take a step out of your comfort zone! And eventually your old comfort zone will be uncomfortable.

Finally, where can people listen to your music and connect with you online?

You can find me on Spotify, Apple Music, Deezer, YouTube, all the usual streaming platforms! Even TikTok which I’m trying to master. My music is also on Bandcamp at teenidle.bandcamp.com

I’m on Instagram and Twitter as @teenidlemusic!

Interview with Ryan Hilsinger (Sleepy Rye)

By Sonia Schnee | Posted Tuesday, March 1, 2022

South Jersey drummer, songwriter, and studio owner Ryan Hilsinger, also known as Sleepy Rye, last month released the first single off of his upcoming debut EP. Blending together multiple influences, his EP A Bit of a Non-Person has a little something for everyone. In addition to getting ready to release his own music, Ryan is also working on a musical compilation via his studio AGL Sounds in Cherry Hill, NJ to benefit multiple charities (reach out to him to get involved). Be sure to check out his EP which drops tomorrow, March 2nd, and to learn more about Ryan and the ways you can collaborate with him, check out our interview below.

(Video and transcript have been edited for time and clarity.)

Thank you so much for taking some time out of your busy day to chat with me.

RYAN HILSINGER: Of course. Thanks for having me, I appreciate it.

First off, what's your name, where are you from, and what do you do?

My name's Ryan, or Sleepy Rye. I'm currently in Cherry Hill, NJ. I run AGL Sounds with Doug Gallo. I've been running this studio for almost five years now. I started recording people years and years before that and just recently decided to start working on my own stuff.

Congratulations on the release of your single "Nameless" which dropped on February 9th. What can you tell us about the inspiration behind that?

So, "Nameless" actually happened after a psychedelic trip, and I woke up the next morning really having no sense of myself at all. It felt like I was re-learning who I was and what I wanted, and I had to challenge everything that I thought I knew.

I actually started writing the lyrics for “Nameless” while I was going through that. So it starts off with "He rises covered in ashes and poison still in his veins." I was writing that covered in ashes. 

That's wild. Is that the first track off of your upcoming EP that you wrote?

I think it is the oldest, yeah. All four of these songs were written at different times, but "Nameless" is the oldest.

Cover art for Sleepy Rye’s upcoming EP, A Bit of a Non-Person.

Very cool. Let's talk about your upcoming EP, A Bit of a Non-Person, which is coming out on March 2nd. Very exciting. What can you tell us about that?

So I actually just officially announced the EP, and I said, "If you liked 'Nameless', listen to the EP.  If you didn't like 'Nameless', pre-save it anyways, so you can talk smack about it. It's not really the same as 'Nameless', but it's got the same kind of vibe. So if you liked 'Nameless', come along. If you didn't like 'Nameless', still come along because it's different enough where you might actually enjoy something.    

What would you describe as the genres you touched upon or the vibe or mood you were going for?

So, the first track off the EP is kind of this jaunty rock vibe. The second track is 'Nameless.' The third track is only bass guitar and vocals, and it's really choral and ethereal. Then the last song is kind of post-rock. It's a love song without the love song vibes. These songs were written so far apart, I was being influenced by something different each time.

Are you performing all the instruments? Did you bring in session musicians?

I did everything on the EP except for master it. It was mastered by Alberto de Icaza. I gotta plug him real quick because he's amazing at what he does. But yeah, everything else – the performance, the writing, the production, the recording, the mixing -- that was all me.

Wow. Is this your first-time kind of doing something like that? I mean, having a studio you had your hands in a bunch of different aspects of that. So what was that like doing that for yourself?

So actually, I released music for the first time under just my name, Ryan Hilsinger, back in 2009 I think. At the time, I was just recording in my parents' basement. I was in high school so I was still living with family. I recorded everything by myself then, but it was just acoustic guitar and vocals. This time around, it was a lot more in-depth. It was maybe more than I was ready to take on when I decided to take it on, but it just happened all of a sudden, and the timing felt right so I did it. 

Who would you describe as your musical influences?

Well, for sure, Incubus. Incubus has been since I was about nine years old when my older brother showed them to me and gave me a CD of theirs. On this album, there's some Minus the Bear in there. There's a little bit of Bayside. I personally love Snarky Puppy and a lot of "neo-soul" is what they're calling it these days, like Lianne La Havas, Tom Misch, and Esperanza Spalding. That's what I've been listening to a lot.

Your music, is a lot of it inspired by things that have happened to you personally? 

The four songs on the EP are all about things that I've experienced, but I have I don’t know how many dozens and dozens or hundreds of songs that will live and die on my hard drive, that I will write about absolutely anything.  

I once went to visit a friend in Philly and I got my days mixed up and she had class the whole day. So I waited and waited and waited in a Starbucks and in different museums, and then when I finally ended up on a bench outside, I wrote a song about a cigarette butt that somebody flicked. So I'll write about whatever.

Do you ever write songs for other people do as a ghostwriter or a credited writer?

So I’m actually starting to do that with the benefit single series that I was talking about. I'm actually, next week, writing a song with Katie Miller, and I started doing collaborations with people in Philly. So I'm hoping to do more of that. I'm hoping to do more songwriting for other people.

And how do you know Katie Miller? You're a drummer, right? So, you've worked on one of her songs?

So actually, we met through the New Brunswick music scene. We just happened to cross paths. But we started working together a little more than two years ago, I think, was the first time that I played with her. I played a show at MilkBoy in Philly with Kate Dressed Up. That was my first show with them back in December, two years ago. Then we were supposed to go on tour and then COVID happened, and she was like, "I still want to work together. Let's keep on doing this music thing," and she asked me to be in the band.

Then after band practice one day, Kate was just like, "Ry, would you happen to be looking for a manager?" Meanwhile, me and my friend had just been talking about how good it would be to have a manager. I was, like "Funny, you should mention that." That's how that aspect of our relationships started. Now we're just super close and at this point she's just a great friend.

So she’s also your manager?

Yep.

Oh, that's so cool! I didn't know she did that. I had an interview with her a couple of weeks ago. She's so modest. She's very smart.

Yeah, she is. Oh my goodness, she is the best.

She knows a lot of things about a lot of things.

She really does, seriously! I am super lucky to have her.

I might have missed a little bit in the beginning (when we started recording our interview). Can you go back to the compilation that you're doing?

Oh, the benefit series?

Yeah, yeah.

So, it's going to be called “Sleep Numbers.”

I bring a band in for a day or two, and we record a single together. I did my first one last month, and I'm just wrapping up work on that.  

Every band is going to choose a charity, they'll come in, we'll either write a song together or just record it if they already have a song written, release it, and all the proceeds go to whatever charity they chose.

That's really cool. Have you done this before? Is this a tradition?

So, I want to turn it into a tradition. My studio, AGL, back when we were located in New Brunswick, we used to do monthly shows where we would record all the shows and run everything through the studio and have a bunch of videographers there. We don't charge anything. It's just for the sake of putting it together,and then the added bonus of the charity on top.

Oh, that’s cool.

Hopefully it becomes a tradition. I’ve already got three in the works.

You’re on a roll. Keep on doing what you're doing!

Where can people reach out if they want to be a part of this iteration or the next iteration?

You can reach out to me on Instagram @sleepyrye.wav, or you can email me at contact@SleepyRye.com.

What does “AGL” stand for? Is there a story behind the name?

So, Doug (Gallo) and I are both massive fans of Incubus. We were thinking of names. Doug threw out the name of this Incubus song, "Just a Phase" Studios. He wanted an acronym for the name, so I suggested Incubus has a song called “Summer Romance (Anti-Gravity Love Song).” So I suggested "Anti-Gravity Love Sounds." That's why the logo is three heart balloons because it’s “anti-gravity.”

Oh my gosh, I see it!

Yeah. So it's Anti-Gravity Love Sounds.

That's really clever. I like that.

We had to find some way to pay homage to Incubus.

How did you meet your co-founder of AGL? Did you guys know each other from high school?

Yeah, actually, we went to high school together, but only for a little bit because he moved and transferred high schools. We went to high school together for two years. During those two years, I was working at a show production company/record label, and we worked with Doug's band at the time, so that's how I started talking to him. Then eventually I joined that band, and then we became another band. Then I moved out to L.A. for a little bit and when I came back, Doug was like, "Hey, are you interested in starting a studio?" I was like, "Yeah, absolutely!"  

I just gave myself a tattoo.

Oh, I see it! Yes! That'll be the thumbnail for the video.

Perfect!

That is really cool. Is there a place that you recommend? Or did you actually sit there and give it to yourself?

I sat there and stick and poked myself.  

True story?

Yeah, actually.

Oh my gosh! OK. You’re multitalented! "He can mix and record everything for you and be your session drummer, and while he's doing that, he can also give you a tattoo on the spot. Anything Incubus-inspired." 

Actually, my friend Abigail just started doing stick and pokes. She’s already an incredible artist, but they just started doing stick and pokes. I was their first person.  

Oh, that's cool. Is that a mushroom?

It's a nice little mushroom. It's a little honey fungus.

That’s awesome!

So, actually, if you're in the Philly area and you're thinking of getting a tattoo, look up The Shape of Sanctum.

Shout-out to Abigail!

Hell yeah!

So, you have a lot of things going on. Aside from being a co-owner of AGL Studios, you're also a session/touring drummer. Of course, you have Sleepy Rye. You've been involved or associated with numerous bands.

Tell us about your musical journey. Do you come from a musical family? 

So it seems like all of my family has some kind of musical talent that they refuse to recognize. My dad was in high school band and had a lot of potential as a drummer. My mom has a beautiful, angelic voice, as does my sister. My sister also played the flute and the violin. My brother played the bass guitar and the trumpet. But it seems that after high school, no one chased it. So I guess I'm the one who chased it after high school. But that was always going to happen because I was banging on pots and pans and playing on toy acoustic guitars since I was five, so it seemed like that was always going to happen.  

I love that. That's a really interesting combination — the drums and the vocals.

What would you say, looking back, have been some of your career highlights or moments that really stand out to you?

Honestly, one of my favorite things is meeting all of the different people that I meet, just everyone that comes through the studio or different bands that hire me for one-offs. Like I just recently, last year, got hired to play drums for a pop artist, Zoe on Venus, exactly a week before the show, with no practice or anything. We just showed up and played the gig and it went great and we had a ton of fun. Just like things like that. I love moments like that and just being able to meet everybody that I meet.

Actually, I would say another highlight has been not necessarily related to my personal journey, whether it's AGL or Sleepy Rye, but I worked for a little while on something called The John Lennon Educational Tour Bus. It's a big tour bus, like that bands go on, and it was gutted and turned into a recording studio.

Oh wow.

Me and two other engineers, we just drove around the country -- well, we didn't drive the bus, there was a bus driver -- but the four of us went around the country teaching kids about music production and making music with the kids. That was the best job I ever had. That was great.

That’s wild! How long ago was that?

That was back in 2017, 2018-ish?

That is really cool.  It's nice to have been able to do that traveling before the pandemic and the world changed.

Yeah, seriously. That 2017, 2018 might be off. The pandemic has completely messed up my sense of time.

Same here. I always think every day is Wednesday. The days of the week don’t matter a whole lot anymore.

Right, seriously.

Is there anything in particular you're looking forward to in 2022, aside of course from releasing your debut EP?  

Well, actually, I have a lot of work that I did this past year that is slated to come out this year, and I'm really, really excited for people to hear it. One of the songs just recently came out. I recorded a 17-piece jazz big band called the Grace Fox Big Band. Amazing. The first song, "I Just Found Out About Love", just came out and it's amazing. I've got a bunch of different projects that I did coming out this year that I'm really excited for.

And, I turned 30.

Ayy! A milestone! How does it feel now being in your 30s?  

Well... we'll see. Haha! I'll give it some time.

To be determined…

Yeah.

It's so interesting how things have changed. A generation ago, it was like 30 was older, but now your 30s are a continuation of your 20s and everything's just gotten pushed back a decade in terms of milestones and things.

Yeah, I like the way my dad described it: Your 30s are the chance to do everything you wanted to do in your 20s, but with more knowledge and more money.

I love that!

That's the energy I'm taking into my 30s.

So, you already mentioned one person. Is there anyone who you'd like to give a shout-out to?

Well, obviously Katie. We talked about her. Shout-out Katie Miller! She's amazing. She's absolutely incredible.

I want to shout-out, actually, my parents. My parents really help keep me grounded long enough to do something like record and mix songs by myself. Thank you, Mom and Dad. I love you both.   

Good son.

Haha! Eh… I'm a sweet son. I don't know about a good son.

There is a distinction!

Do you have any music videos planned?

No. Music videos, to do well, you either need a grand mind or a lot of money, and I don't know if I have either, but I do actually have a canvas video that is paired up with the fourth track on my EP, "Never”, done by KXB Studio. They took my idea and they brought it to life exactly the way I wanted, so that'll be fun. That'll keep you occupied on that four-and-a-half-minute song.

Where can people find you online if they want to listen to your music, if they want to send you a  message? What's the best way to find you, or all the ways to find you?  

So Bandcamp is obviously the quickest and best way to see everything that I've got, and you can contact me through there. That goes straight to my email.

You can stream me on Tidal and Apple Music and Spotify and Deezer. I'm everywhere.

And Instagram, is that your preferred social media?

Yeah. On Instagram, I'm @sleepyrye.wav. @SleepyRye on Twitter. @SleepyRye on Facebook. Sleepy Rye pretty much everywhere.

Nice.  This has been awesome. Thank you again so much.

Of course, of course. Thank you. I really appreciate it. This is my first interview. I had no idea what to expect, but I really, really enjoyed myself. Thank you.

Interview with DUMMY, Kicking Off 2021 Right

By Sonia Schnee | Posted Saturday, March 20, 2021

New Jersey rock/alternative/80s-90s nostalgia quintet DUMMY have certainly been keeping busy. They kicked off 2021 by releasing their debut single and music video, “Suddenly”, on YouTube and all streaming platforms. Then on Valentine’s Day, they released a special second music video, appropriately named “Valentine,” and currently they are planning on releasing a follow up single as well as another music video (follow them on social media for the latest news and announcements).

Check out our interview, below, with the ultra-productive members of DUMMY to learn about their origin story, as well as the inspiration behind their song and music video, “Suddenly.”

Congratulations on the release of your debut single and music video, "Suddenly"! What can you tell us about the inspiration behind the song? 

Thank you so much! The lyrics were not only very personal to Ben, but we wanted the song to resonate and help people struggling with addictive personalities to not feel alone. At some point, everyone goes through a dark period in their life whether it’s a struggling relationship, mental health, substance abuse, or everyday vices that can trap one in a corner of their own self doubt. 

What was the music video-making process like? 

It was such an amazing experience just being able to work with a great crew. We were really excited to put our vision in the hands of Jim Boemio and Calyn Heller, whom we’ve grown a great relationship with as a band through Jim and Jeff’s history of making films for school. It was a long day of shooting but we’re stoked we got it done in a day. With this being our first release we had to make the best first impression, so concentrating on creating a great set and environment that ties perfectly with the mood of the song was extremely important to us.

Where did you record/who did you record with? 

“Suddenly”, along with a handful of unreleased work, was recorded with Mike Morello, at his studio in Hillsborough, New Jersey. There is probably no one we would rather work with who has such a great ear to bring our sound to the max. There’s not a single dull minute with Mike. He keeps it super real and straight to the point when tracking to make everything as proficient and professional as possible. Mike is truly an expert and has become a great friend and member of DUMMY.

Tell us about DUMMY. Who's in the band? Where are you from? How did you find each other?

DUMMY is Ben Nelson, Jeffrey Fetzko, Carlee Ahart, Matt & Cris Nace. Ben met Jeff growing up in the same  town going to the same DIY hardcore shows. After a few years, they reconnected and found a lot in common with one another. They had both gone through similar situations, fed up with working dead end jobs, they wanted to create something big. Summer of 2019 was the beginning of DUMMY.  After finding their sound and writing a new song or two everyday, Ben and Jeff got serious about finding members to help write and mold the sound. After writing a couple songs, they reached out to Cris and Matt Nace, old friends of Ben, who had the musical resume DUMMY was in search of. The Nace brothers perfected the fast paced drum beats and high energy synths, adding the intense energy the old hardcore shows reminded them of. Shortly after,  Ben reached out to Carlee, a high school friend. She became the perfect match for the sound with smooth rhythm guitar. 

How would you describe your style?

We have been describing ourselves simply as a ‘rock’ band. To be honest, we didn't really know how to describe our music. Since our release of ‘Suddenly’ we've been compared to so many different bands reigning from the 80s post-punk era to early 2000s alternative acts. It’s hard to categorize yourself with so many different types of influences we collect for our sound.

Who are your influences?

Ben — Sad Lovers and Giants, The Doors, Joy Division, John Maus.

Jeffrey — Tennis System, Vlad Holiday, The Cure, Turnstile, Beach Fossils

Carlee — My Chemical Romance, Led Zeppelin

Matt — Surf Curse, U2, Viola Beach

Cris — Turnover, Hippo Campus, Kings of Leon

What are you looking forward to in 2021, personally and/or professionally? Is there anyone who you'd like to collaborate with in the future? 

We’re super excited nonetheless to share the unreleased music we have, along with more videos we’ve been producing. Hoping within time we’ll be able to perform live with some of our friends in the area!

Finally, where can people find your music?

https://linktr.ee/Dummy.band

https://dummy.band

Https://dummytheband.com

Is there anything else you’d like to add?

Yes! Thank you for taking the time and giving a platform for the voices of amazing artists throughout New Jersey. We cannot be more grateful for you guys reaching out to help promote our debut single along with what you do supporting local music. Much love!

— DUMMY

Interview with Via Ripa. New EP "While It Lasts"

By Deaglan Howlett | Posted Wednesday, March 17, 2021

Via Ripa are a four piece rock outfit based out of Long Branch, New Jersey. Forming in summer of 2019, Via Ripa already has two EPs out; their latest “While It Lasts” was released 2/14/2021. Their blend of influences lead to a unique, energetic sound, with a familiar New Jersey attitude. Unfortunately due to the pandemic, after Via Ripa’s first three shows, venues were shut down and the group was forced back to their practice space. Luckily for us, the group has been hard at work and are showing no signs of stopping. I reached out to the band to see how they have been keeping busy in the wake of their latest release, as well as what is next for Via Ripa.

When did Via Ripa first form? 

Via Ripa: Mike and two of our friends (Sam Macpherson and Kyle Kieper<333) had started writing songs together and posting them on YouTube in like 2015/2016, and they called that Via Ripa, but only did that for about a year. Fast forward to the summer of 2019, and Matt, Mike and I (Sean) started jamming together and eventually got our drummer Nick in the mix. We got the okay from Sam and Kyle to use Via Ripa as our name in the beginning of 2020, but I guess you could say Via Ripa has been around for a little while. 

Who were your influences when starting the band, have those influences changed?

As far as influences go, all four of us come from varying backgrounds with varying interests in genres and artists.  Personally, mine (Nick) range from jazz artists like Louis Prima, Art Blakey and Benny Greb to bands and artists like Streetlight Manifesto, Jack Johnson, PUP, Vulfpeck and Led Zeppelin.  Sean was listening to a lot of Slaughter Beach Dog, Skeggs FIDLAR, bands like that, and Mike was on a big Jimmi Hendrix and The Smiths kick. Matt is more into blues and progressive, like Ariel Posen. That said, we feel that our sound is a result of all of these bands and evolves due to the wide variety of our own personal influences

When did you start writing for your latest release, "While It Lasts"?

Over the summer we sat down and kind of just wrote whatever popped in our head. I think in total we wrote 11 songs and ended up recording 10 of them in a two day span, with some over dubbing sessions in the following weeks. “Summer is Dead” was a reworked version of the song Mike wrote in 2015, but all of the writing for the “While It Lasts” was done in the summer.

How has the pandemic influenced how the band functions (i.e. practices, songwriting, recording)?

We had our first three shows in a two week span before COVID shut down live music, so it really sucked going from full steam ahead to doing nothing. We didn’t have practice for the first few months, but we slowly got back into playing and writing. I think the time away from practice for a little allowed us to write material in our own space and bring it to the band and then have it take a whole new shape and sound. The live music shutdown also changed the way we feel about releasing music. We could have put out a ten song album, or two five track EPs, but staggering our releases and creating anticipation for our next songs, that has really been the best way for us to present our music to people. 

Any bands you are looking forward to playing with once shows come back around? Venues in particular?

Sean — Loveseat Pete!!!!!!!!! And I would love to get back to The Saint and The Brighton [Bar], but House of Independents and any 4333 Collective show would be really cool, too. 

We would also love at some point to start branching out to NY, Philly, and Boston. Nick’s got a bunch of friends and bands out there from touring and school, which is pretty great.

How have you all been maintaining your sanity throughout the past year?

We haven’t. This band is full of neurotic basket cases who cannot be saved from themselves. 

Future plans/releases?

We have a direct-to-vinyl session with Leesta Vall on April 3, and we will be putting out another EP, 5 songs, in the near future.  We are also always writing and pumping out new songs, so at some point or another we will record those, too! But definitely give our new EP, “While It Lasts”, a listen.

Via Ripa is
Nick Marinelli — Drums
Michael Pinckney — Voc/ Guitar
Matt Smentkowski — Vox/ Guitar
Sean Cuddy — Bass 

Idle Wave - "Party Guy" Album Release. Interview with Guy Battaglia

By Deaglan Howlett | Posted Wednesday, February 24, 2021

After their self-titled debut in 2018, Idle Wave are back with their latest release, aptly titled “Party Guy.” While the project remains spearheaded by singer-songwriter Guy Battaglia, he enlisted a new cast of fantastic musicians to help bring his ideas to fruition. This record includes the catchy melodies listeners will remember from their first release, adding a focus on Battaglia’s lyrics and vocals with the track's sometimes sparse instrumentation.  After a delay with the original release date due to the pandemic, “Party Guy” was officially released to the world February 19th, after much anticipation. I recently reached out to Guy to ask him about the creation of this new record and releasing music during a time where live shows are unfeasible.  

When did you first start writing for “Party Guy”? Are these all new songs?

“Party Guy” first began with the song “Home.”

In the Spring of 2019, I’d go for regular walks around my neighborhood, that of which were often accompanied by my own voice, humming along to the spontaneous melodies crafted in my mind. Sometimes these melodies would follow me all the way home, so I’d repeat them out loud and then store them as voice memos in my cell phone. Curating these melodies not only became as habitual as my daily walks, but a way to process my life experience during that time.

Having recently left a suffocating job, I was without a doubt relieved, yet perplexed by what was to come; the next chapter of my life dawned on me as an unsettling and haunting mystery. Through these revelations, I gathered my senses, sat myself down on my bed and pressed record on my phone. Beginning with a two-chord progression and an improvisation of lyrics, one of the spontaneous melodies came adrift. This voice memo would ironically be saved as “Home 44”, as it was one of the many drafts that my voice memo app would default the title name as my phone’s location.

After recording a raw acoustic version of “Home”, I sent the “Home 44” memo to Erik Kase Romero (The Front Bottoms, Stillhungry) and asked him to cut the track with me. Since we were overdue to work on a record together, Erik kindly accepted the project and I began gathering new material. Throughout the Summer, Erik and I reworked the two most Pop-Punk influenced tracks on the record (“Happy” and “Stay”) which were first demoed with Idle Wave’s former band members and respected friends — Joseph Enright, Matthew Herman, Kevin Houston, and Chris Russo. Even though these two songs were originally demoed elsewhere, they needed to be completely reconstructed with Erik to the styles of “Home” and the new Indie-Alternative genre that we were naturally gravitating towards. (You can hear the original demos of “Happy” and “Stay” when you download the deluxe version of “Party Guy,” only on Bandcamp).

By the Fall, most of “Diet”, “All Night”, “My End”, “Sex/Tape”, and “Space” were mapped out or tracked with Erik, and it only took a few more sessions into the Winter to finalize the album. In the several months that carried the recording process from Fall to Winter, we experimented with tape loops, shuffled between guest musicians, and even changed studio locations. Anyhow, as  “Happy” and “Stay” constitute as new songs, despite of their original format, “Sex/Tape” does not. “Sex/Tape” was borrowed from my former Alternative project “Flammable Animals” and was instrumentally reimagined to create a darker and deeper experience then it’s original counterpart, “American Counterpoint.”

For those who are interested, “My End” was the last song to be written for the album. Beginning as just another melody on the acoustic guitar, “My End” startled my own thoughts with feelings of nostalgia. I foresaw “the sounds of my childhood”, and reflected on the sounds of Indie-Rock bands from the 90’s. After listening to the final instrumentation back for the first time, I felt something indescribably large about the song; I knew I’d make it “track 7” on the album from that moment on.

Who did you work with when recording “Party Guy”? Have you worked with these people before? How did that affect the music?

This was my first time collaborating with Erik on my own music. For years I have sat in on sessions with him during college classes or when I was just hanging out at his studio and playing shows with him.

Erik and I were both determined to enter a realm of sounds I’ve never been a part of before. I was particularly inspired by Neutral Milk Hotel’s “In the Aeroplane Over the Sea” and how it was an acoustic driven record with distorted bass and raw drums that just took you away lyrically to a bizarre fantasy land. Although I went in not knowing what to expect, one thing was for certain; I wanted this to be a full-length record.

Featured musicians included either close friends of mine or other talented musicians that I had crossed paths with in the Asbury Park scene. Not only did Erik produce this record with me, but he helped craft bass lines, piano embellishments, and drum machines. I hired two incredibly talented drummers (one of which is a longtime friend of mine), and even did a vocal feature with my friend Brittany Byrne (singer of Skyeline). My long-term friend Samir Bunty Tawalare played drums on the latter half of the record while Chris Donofrio (formerly of Deal Casino), was commissioned during the early Summer sessions. 

How has the pandemic affected your songwriting process?

I’ve spoken to a number of songwriters I look up to who have been cursed with “writer’s block” this year. I am happy to say that has not happened to me (knock on wood). In fact, once we were given a go on proper public safety precautions, my friend Connor Hanson and I began meeting up to work on a follow up record over the summer.  

What has it been like setting up a virtual release show opposed to one in person? Any benefits/drawbacks you feel strongly about?

Honestly, nothing will ever beat a live show. In this Black Mirror era of civilization, live shows are where I meet the people that see the world eye to eye with me; the ones who don’t mind being alone on a Friday night and aren’t afraid to scream their heart out to their favorite songs.

I feel eternally grateful to all who have tuned in to our previous livestreams, and we are making a point to deliver this time; four 4K cameras, a new studio space, a full five-piece band, and some of the most exceptional musicians and engineers I have ever worked with.

Nobody is satisfied with the current state of things, but I’m beyond lucky and thankful for being able to get in a room with people and track 11 songs in one day for this supportive community to experience. I am not exaggerating when I say it blows away some of our previous streams.

Who will be joining you/playing with Idle Wave at the release shows?

For the upcoming ”Party Guy” release show, my extraordinary band will feature:

Connor Hanson (Cloud Hands)

Jon Chang-Soon (J C Soon)

Samir Tawalare (Talk to Plants)                                                            

Brittany Byrne (Skyeline)

Erik Kase Romero (Stillhungry, The Front Bottoms)

Personal favorite part of the record to you? 

I do love all eight of the songs, but “Diet” and “Space” are the ones I’m most excited for people to hear.

You can purchase “Party Guy” by Idle Wave here!

Grin & Bear - "Be Gentle" (Interview)

By Deaglan Howlett | Posted Thursday, February 13, 2020

Be Gentle is the latest record from Wall Township’s Grin & Bear. Forming in 2014, the group has undergone line up changes throughout the years, leading to this latest effort from Brian Perrino. This album, while under the name Grin & Bear, has become more of a collaborative/solo project for Perrino. The record is an absolute powerhouse and a favorite of mine to come out this year. Be Gentle is self reflective and positive, perfect timing for we could all use a little extra positivity today.  I reached out to Brian to pick his brain about the making of this record and he was kind enough to do an interview. Thank you again, Brian!

When did Grin and Bear first form?

Grin & Bear first formed in 2014 during a time when we (Brian, Chris, Will, and Gavin) were all in college spread out over a few different states. I had been working on some songs, and we all naturally started sending ideas back and forth, and it turned into our first release "Range Wars" which ended up being a massively group-oriented effort. We self-recorded and released it in 2015.

How has the band changed over the years?

Since starting the band, we never ended up living in the same place at the same time. We met up when we could and played when we could. We operated that way for a few years and released "Range Wars" and "Everything is Gravy." I had been writing so much and in an effort to get more music out there started recording some acoustic tracks, which turned into "Hair Shirt Pt 1" and shortly after that release, Gavin (bass) made a long-term move to Georgia and we made the decision to end the band.

One day in 2018, I got back into writing and ended up with a few songs that I really loved and wanted to hear full band, so I reached back out to the band to ask if I could transition Grin & Bear into more of a solo project/collaborative effort. That is when Be Gentle began.

When did you start writing for Be Gentle?

In September of 2018, I wrote the songs "India" and "Not Bad" and became 100% sure I wanted to write an album. Every song (with the exception of “First Reaction”) came after that . We went into the studio in July of 2019 and were writing up until the day we left for the studio.

What is your songwriting process like?

Every song started with an acoustic guitar. I would mess around until something caught my interest, and then I would immediately start trying to sing whatever words and melody came out (sometimes using a note in my phone, mostly just trying to see what happens on the spot. There's so much boppin’ around up there, sometimes a pleasing guitar part draws something potent out). If I liked it enough, I would record a demo and then walk around my neighborhood listening to it until I heard something new, and then I would run into my house and record the new part.

This was the most fun I have ever had writing music (I remind myself often that those experiences in themselves are all I need to "get" out of this album). I heard a lot more than just my demos, so I reached out to a lot of my friends to see who was interested and had time to contribute. Some came over and we wrote together, some wrote totally on their own, and one part I didn't even hear until the second to last day of recording. These contributions made the album what it is. They kept it light and fun. I called the album Be Gentle because gentleness made this album possible. I had to remind myself to be gentle a whole lot (and still do).

Who did you record the album with and what was that experience like?

We recorded Be Gentle in Bayonne with Adam Cichocki at Timber Studios. It was the absolute best! Adam's studio is furnished with 2 dogs, 2 bean bags, extremely kind engineers and hosts, and is in close proximity to vegan "chicken" wings that are absolutely fire. Adam is so good at the technical aspect of recording an album that he's able to put you in a creative, stress-free, and positive environment right off the bat. This is not a paid ad for Timber Studios. Be Gentle would not sound the way it does without Adam and I love him!!

Who played on this release?

Okay, here we go.
Your boy (Brian) played a little of everything.
Chris Calabrese (drums, a little vocals)
Gavin Fischer (bass, a lot of backup vocals)
Will Avon (bass, lead guitar)
Matt Baker (bass, keyboard, backup vocals)
Nigel Whitley (bass)
Zach Henry (guest vocals)
Connor Mcarthur (guest vocals)
Stephen Kelly (guest vocals)
Tim Mullooly (guest vocals)
Grace Fox (trumpet)
Adam Cichocki (random stuff here and there, sleigh bells, post track clapping)
Bowser (double bean)

Favorite track on Be Gentle?

I think my favorite track is "India." The bass line at the end (Gavin wrote it) is my favorite part on the album. I danced a lot writing it and lyrically dug into a personal hang-up (pride) that has kept me from enjoying some important aspects of my life.

Upcoming plans?

Working to be more kind and gentle with myself and everyone else. And writing more music with my friends/biggest influences/people I love.

State Function – “Suspended Animation” (Interview)

By Deaglan Howlett | Posted Thursday, January 23, 2020

State Function is the solo project from Liam Frank, based out of Highland Park, New Jersey. His first release is a 4 song EP titled Suspended Animation. Released in November of 2019, this EP started its life in the fall of 2017. With the help of friends and the honing of his own skills as a songwriter, Suspended Animation is a strong debut release. After a couple listens, I reached out to Liam to ask him how this project came to be and what it means to him. Thanks again, Liam!

What is State Function to you? The band, name, etc.

State Function, to me, means individuality and being true to yourself, it means self-awareness, it means being human and being inspired by life around you. I came up with the name because I really enjoy science, and a State Function (or function of state) is a property in a thermodynamic system that matters solely on its present equilibrium state, and the past pathways it took and forces that acted upon it do not matter. I relate that a lot to my outlook on life as a whole. Making the most of your present and your present surroundings; all we have is right now.

When did you start working on your EP Suspended Animation?

I started working on the EP in the fall of 2017. I always had a vision for the project and for the sound, but I was never able to translate those ideas well on my own until I finished school. I lived with some friends in Asbury Park right after college, and they were always recording something in the living room. I was always playing my guitars, but the additional gear and resources I had at my disposal through them really facilitated my musical and eventually lyrical ideas. I was able to get a lot done in the next two years and link up with more people that helped with this project because of that and because of them.

What is your songwriting process like?

A lot of trial and error, fitting things together from past ideas, a lot of messing around on guitar between the hours of 10pm and 4am. I definitely need a melody or musical part first, though. Sometimes when the trial part for a new melody is successful, I'll finish a song altogether in a couple of hours. That's what happened with the songs “Snowing” and “Elsewhere” on the EP, and those are two of my favorites. I love words and metaphors a lot since I'm such a romantic person, and I really go for imagery as well. When it comes to songwriting, my brain is this chaotic windstorm of fragmented musical and lyrical parts, but when there's a moment of clarity, it's a beautiful thing and I can get a lot done.

Were the songs written for this release written around the same time or over time?

They were definitely written over time. Like I said, some developed sooner than others, but for the ones that took longer I had ideas and pieces in mind for months and sometimes years, and they didn't come to fruition until this EP felt finished. I didn't want to rush anything, though.

Where did you record? Who played on this release?

I recorded in a lot of different places, including my old living room on Fourth Ave in Asbury Park, with my friends Will and Kevin at their respective home studios in Hunterdon County, NJ, and with my friends Craig and Alex at Craig's home studio in Stockton, NJ. I wrote and played all musical parts as well as the lyrics, except for the synth part on “Elsewhere.” Kevin played on that, and it really brought out the sound on that track. All of these guys had a hand in production and post-production, and they were totally instrumental in delivering the sound I was going for.

Favorite song on Suspended Animation?

Favorite song has to be “Snowing.” First song on the album, first single I released and first thing altogether I released myself that was a huge deal. It's a song I think really does a good job describing me. It's a positive song about learning how to let go of your past, being ready for a bright future, but also learning how to stay in the moment and keep working hard and also how to better temper your expectations. That theme is repeated in the chorus, "My heart is set on spring, but it won't stop snowing." You're ready for something better, but you have to put in work in the present and let go of the past. Because after all, all we have is this moment, a metaphor I used in the naming of the whole project!

Last thing I'd like to add: a shoutout to my brother and my parents, especially my dad, for believing in me, my art, my passion, and supporting this project so much and giving endless love to me and to everything I do.

Interview with Denim Mob

By Sonia Schnee | Posted Tuesday, November 5, 2019

On March 1st, Glassboro, NJ’s Denim Mob released their single “Psylocin” on streaming services everywhere. Denim Mob is the performance alias of songwriter/musician Jackson Zabranksy, who is also joined by bassist Anthony Melograno and drummer John Kelly-Keifer. The group is signed with independent record label Rowan Music Group which operates out of Rowan University.

Check out our interview with Jackson Zabransky, below, to learn more about the inspiration behind their music, and be sure to follow Denim Mob on social media for announcements re: their upcoming single “Say You Want” which will be released in the coming months.

What's your name, where are you from, where are you based now?

My name is Jackson Zabransky, and I’m from North Jersey but based out of Rowan University for the time being.

How would you describe your sound?  Who are your musical influences?

I like to call it synth-driven 80’s-esque dirty nasty new-wave funk (from outer space). Realistically though, we explore a lot of different genres, trying to utilize them through our sound. Influences range anywhere from Bruce Springsteen, to Paul Simon, to The 1975. 

Congratulations on the upcoming release of your new single, “Say You Want.” What can you tell us about the inspiration behind the song?

Thank you! “Say You Want” is by far our most guitar-driven track and is one of our tracks that is a true homage to the 80’s sound in a modern context. It explores feelings of wanting someone but hoping they say it first. 

Jackson Zabranksy

What's the creative process like for you (which comes first, the melody or the lyrics)? Is there anyone you collaborate with, or would like to collaborate with in the future?

Melody and track always come first for me. I allow the track to shape how I feel about the song and what sort of topics I can write over it. I think it allows me to really dig into what emotions the track brings out. I write a lot of the songs myself, but have been writing more with my awesome band, bassist Anthony Melograno and drummer John Kelly-Keifer.

What's next on the horizon for you? 

Next on the horizon is our first serious release this spring, but until then another single and some music videos. Stay tuned!

Finally, what are some ways that fans can connect with you online?  (Website? Facebook? Spotify? Etc.?)

We’re on all the main social media platforms (Instagram, Facebook, Twitter) at @denimmob. Our latest single, “Psylocin,” is up on Spotify, Apple Music, Bandcamp, and pretty much all the other services.

Interview with Rory D'Lasnow

By Sonia Schnee | Posted Tuesday, October 22, 2019

Bergen County singer-songwriter Rory D’Lasnow has been part of New Jersey’s music scene for well over a decade. He recently performed a solo acoustic set as part of Asbury Park PorchFest, earlier this month he was interviewed on Danny Coleman’s ROCK ON RADIO, and he also recently shot a music video for his new single “Never Be Mine” featuring Jamie McClanahan of The Victory Drive (coming soon). Rory released his first EP When All is Fading in 2011, followed by an Acoustic EP in 2015. Last month, he formed a new alternative rock band, Black Rose Revival. Check out our interview with Rory, below, to learn about his journey and the inspiration behind his music.

What’s your name, where are you from originally, and where are you based now?

My name is Rory D'Lasnow. I'm originally from Englewood, NJ and grew up there for sixteen years. I spent some time in Michigan, Pennsylvania, and California - but now I'm back in North Jersey over in Teaneck. The people are a lot friendlier everywhere else (just kidding), but my heart is here.

Tell us about your musical background. You do a bit of everything -- singing, songwriting, and playing multiple instruments.

I have been singing, playing guitar, and writing songs since I was in kindergarten but picked up the guitar upside down and backwards - which is how I still hold it. I actually recently found a home video of my father, who also played guitar, encouraging me to turn the guitar right side up as a little boy, but I seemed to gravitate toward playing it wrong - with the low E string at the bottom, not at the top. I also play a little piano.

How would you describe your genre/style?

I would say I gravitate between an acoustic singer-songwriter style and a harder alternative rock vibe, especially with my band - Black Rose Revival.

Who are your influences?

My influences are pretty varied. I grew up on The Beatles, Everly Brothers, John Fogerty, and other older music. I would say my music is influenced by them to a large extent - but I also am inspired by some more modern rock like Taking Back Sunday, Brand New, Say Anything, and Jimmy Eat World.

What's the inspiration behind your music?

A lot of my inspiration for my music comes from things that have impacted me in life. I often explain to people that I lost my mother when I was fourteen and this strongly shaped my world view and provided a lot of the ideas behind some of my sadder songs. I write a lot about love - shocking, I know - as well. I aim primarily to write songs about things that touch us on a deeper level, but hopefully in a way that hasn't been done a hundred times before.

How has it progressed over time?

I would say my music has progressed in that my songs have become a bit more contemplative. My first song was called "Nana's Still Askin' For Milk" about how my grandmother was displeased with what my father and I had picked up from the grocery store. I hope I address more complex issues than that these days, but then again - that definitely was a difficult topic ha!

How do you hope people will feel when they listen to your music?

My sincerest wish is that people feel something when they hear my music. Some of my greatest joy has come from people walking up to me and saying that one of my songs resonated with them. I do have simple pop songs, too, but I probably most value the songs that are raw and emotional.

What has your personal journey been like? When did you discover that you loved music?

As I alluded to before, I've actually been playing guitar since I was a little kid. My mom and dad encouraged me to play little concerts at the Englewood Library or Borders Books (back when they were in business), and I often participated in talent shows on cruises when I was younger, as my mother was a travel agent and we used to get discounts. This kind of love of performing was instilled in me at a young age. Music has been in my life since I was a little boy, and I was about as Beatles-obsessed as they come (I was Team John, now I'm more of a Paul guy!). I would listen to anything I could get my hands on, and I think I knew right out of the gate that music was my passion.

What are your goals as an artist? What would you like to accomplish by the end of this year?

I would say my primary goal is just to reach as many people across as many places as I can. Music to me is about connection and people are what make life so interesting, so I most look forward to sharing my experiences and sharing in others experiences along the way.

On a more practical level, I hope to be able to be a self-sustaining original music artist. I recently made the jump to becoming a full-time musician, and I've found that playing cover gigs has been financially sustainable for now (knock on wood) and has really helped me stay sharp. That said, as much as any songwriter would respect a song like “Sweet Caroline” - eventually you do tire a bit of playing it!

Who would you like to meet?

As far as people I'd like to meet - I'd say if you're reading this interview - I'd like to meet you! In all seriousness, there isn't one kind of person so to speak. I've found that no matter what your background or where you're from, there are often more commonalities than differences between us. That shared human experience is what makes connecting with others so special.

Are there any artists, bands, or producers who you'd love to collaborate with one day?

Boy, as far as collaboration goes - the list is long! I'm sure I, along with everybody else, would dream to some day work with Paul McCartney. I also greatly admire a lot of the musicians I listen to - Max Bemis of Say Anything, Hayley Williams of Paramore, Brandon Flowers of The Killers, Ben Platt, Regina Spektor. I'm one of those people who really delves into what inspires people and what peoples' stories are. I'm not writing fan fiction or anything (though if you're into it - I can't knock it!) but I do enjoy trying to get to know the people behind my favorite songs.

Do you have any shows coming up?

On Friday 11/15, I'll be taking part in a Citywide Charity Event sponsored by NorStep Productions down at Bourre in Atlantic City. On Wednesday 11/20, I'll be at Havana in New Hope, PA as part of Pat Foran's Music Showcase, and the next day - Thursday 11/21 - I'll be opening for Nick Clemons at Crossroads in Garwood, NJ with Mike Rocket.

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced?

Oh man - I actually have a lot to say about this. I spent almost ten years second guessing music as a career path. Please - don't doubt yourself. If you love something - pursue it with reckless abandon. And here's the biggest reason why (besides all of the YOLO stuff I could say and the preaching I could do about how life is too short): things do get easier.

If something scares you because you've never done it before - well guess what - it's only the first time ONCE. For the longest time I thought "Oh, I want to play in Hoboken, but I'm kind of nervous." I started with open mic’s and met some of the best people I've ever known. Then breaking into NYC a bit seemed like an insurmountable obstacle. Now I play shows in New York all the time and have come across tons of wonderful people over the course of different events I've attended. I'm hardly the world's biggest success story and I hope my journey isn't close to its end yet, but at the end of the day I think I embody pretty well the idea that you should just go for it because the pieces come together along the way. What is at one point anxiety-provoking and replete with possible obstacles can often become second nature. And then - it's a lot of fun.

Black Rose Revival

Is there anything else you'd like to add?

I'd just like to say, please don't hesitate to reach out - not just about music! I'd love to hear from you as I love people as much as I love music. And keep an eye out for my new band, Black Rose Revival. We just got started last month, but it's myself with three other veterans of the NJ Music Scene - Phil Beam and Roy Brunston of RESURGE and Sergio Arsenio on drums.

Where can people find you online? (Facebook, Twitter, Instagram, Soundcloud, Bandcamp, Spotify, YouTube, etc.

The best place for people to reach me is Instagram (instagram.com/rorydlasnow) or on my band account (instagram.com/blackroserevivalofficial).

My music pages are also on Facebook (facebook.com/rorydlasnowmusic) and (facebook.com/blackroserevivalofficial).

I have a couple of solo EPs and a single on Spotify and SoundCloud under my name and hopefully some BRR tunes will be to come as well.

Youtube and Twitter I have been trying to use more, but both are similarly able to be found by looking up Rory D'Lasnow or my band name, Black Rose Revival.

In addition, my official website, rorydlasnow.com, has a comprehensive list of all of the events I'll be a part of with press links/photos/videos etc - all that good stuff. Thank you for your time!

~

You can also listen to Rory’s music on Soundcloud, Spotify, and YouTube.

Interview with forgettable History

By Sonia Schnee | Posted Sunday, October 20, 2019

Earlier this month, South Jersey alternative/indie rock duo forgettable History released two new theatrical and thought-provoking singles, "kaleidoscopic cobblestone" and "amber nectar." We were fortunate to get an interview with songwriter/lead vocalist, Andrew Lodge, to learn about the inspiration behind their music.

What's your name, where are you from, where are you based now?

My name is Andrew Lodge, and I am from Medford New, Jersey. I am currently at Pennington, living on Campus at TCNJ. My bandmate is Kevin Savo (lead man of Out of The Beardspace & Pan Song). He's originally from Clementon, but he lives in Waterford now.

How would you describe your sound? Who are your musical influences? What’s the inspiration behind the name of your band?

Our sound is luscious, passionate, theatrical, touching, and artistically fearless.

My musical influences are the following: Radiohead, car seat headrest, School of Seven Bells, and The Unicorns (just to name a few).

The inspiration for the band name goes two ways. The simple version is that I purely suck at history and lack the desire to study it. I remember taking Honor's APUSH my sophomore year, and it felt like I was picking the best shade of blue if the question was "Which one is blue?" My teacher was a wonderful lady, so it wasn't her fault at all. The extended version will be kept for personal interactions with my beautiful fanbase one day.

Congratulations on the release of your single, “kaleidoscopic cobblestone.” What was the creative process like for you (which came first, the melody or the lyrics)?

My process with Kevin is sporadic, but typically we write the song first and then the melody on top. I studied music theory in my junior year of high school, but I never applied anything I learned to my art. I sit at a piano, play some chords, show Kevin, and his excitement fills my body with confidence. For "kaleidoscopic cobblestone," I wrote it on guitar. Vocals and melody always come last, since I always play with the lyrical content of a written song. 

What's next on the horizon for you? Do you have any shows coming up?

I would love to perform some unreleased material with Kevin anywhere! TCNJ or any small venue would be lovely. However, being at college is difficult and Kevin is in multiple projects. The day we perform will be the day we show it all on stage. We haven't been rehearsing at all, because the album is not finished. But, we have just released a new track called "amber nectar" that is out now.

Tell us a little bit about your personal journey. How did you get to this point? Do you have other creative work that you’d like audiences to check out?

I wish I could remember my whole journey. I can probably say that it started when I was jealous of my sister playing the Adele song "Someone Like You" in front of her attractive friends.

"I can do that!" I blurted out.

"Okay, go ahead."

I sat at the piano and it was terrible. Her friends laughed at me and I was determined to learn the song afterward. So, I watched YouTube videos on how to play the song. I learned "The Scientist" then "A Thousand Years" later.

My mother pushed me to do the musical in middle school since I stopped wrestling. My audition was fairly good, but I didn't receive a lead role in Seussical. The judge even said, "Where were you two years ago." It felt that wished he could have given me something, but couldn't since kids had the experience. I was a Who (even though I was the tallest one, since I was an early bloomer) and the Grinch. There's a hilarious Wiki page that claims the following: 

For Jr., various songs are cut and shortened; the subplots based on The Butter Battle Book and How the Grinch Stole Christmas!, and their relevant songs and characters, are removed to make the story more understandable for younger audiences, though the Grinch retains one line during the song "Here on Who".

(I even remember reading that sometimes they cut the Grinch and have The Cat in The Hat dress up as the Grinch for the one line). 

"Where even a Grinch wouldn't dare to be totally mean." I'll never forget that.

I met a kid who wanted me to join his band and wanted me to get bass lessons in the winter musical (Peter Pan) my freshman year (little did he know that I played piano and sang). And that's how I met Kevin. At the School of Rock. I got kicked out of the band and Kevin wanted to help me.

Do you have any words of advice for people who share a similar passion or have maybe faced similar obstacles/challenges?

You're your own worst critic. Sometimes it's best to let go of the little details if they're holding you. Being in states of monotony is an awful feeling. Know that not everyone is doing what you're doing. You're unique, embrace it.

Finally, what are some ways that fans can connect with you and forgettable History online? (Website? Facebook? Spotify? Etc.?)

I would give my number, but I don't pick up if I don't recognize the number. So I would recommend our Facebook, Instagram, and even Twitter. If you're into email forgettableHistory@gmail.com

https://www.facebook.com/forgettableHistory/

https://www.instagram.com/forgettablehistory/

https://twitter.com/forgettablehx

Is there anything else you'd like to add?

Anyone who wants to shoot a music video or set up a gig, let me know!

Cheers!

Idle Wave - "Calm" (Interview)

By Deaglan Howlett | Posted Friday, September 6, 2019

Idle Wave is a project fronted by Guy Battaglia based out of Asbury Park, New Jersey. Since releasing their self-titled EP last December, Idle Wave is back with a music video for their third single, “Calm.” Guy was kind enough to give a behind the scenes look of what went into this raucous track. Thanks again, Guy!

When did Idle Wave form? When did you start releasing music?

Idle Wave is a continuation of a project I started with my friends in college in 2014. However, the first single “Alpern” under the new name was released in December 2018.

Who are your biggest influences?

Originally started out with bands like Green Day and Weezer, but recently [I] have been inspired by DIY bands breaking ground such as Prince Daddy and the Hyena, Mom Jeans, Just Friends, Oso Oso, Remo Drive, etc.

Who is in Idle Wave?

I (Guy) am the primary songwriter, and my friends play shows and record with me sometimes.

How has your music evolved since you first formed Idle Wave?

More honest and to the point.

What was the process like writing and recording "Calm" compared to previous releases?

“Calm” was originally a slow ballad and had a whole other section originally written to it that would have been the climax to the song. Joe Enright (drums) suggested we kick the BPM past 200 since we’ve never written a song that fast before. We cut that last section to try the song without and we were satisfied with the shortened version.

What does this track mean to you? How did you go about writing it?

This song was inspired by that feeling you get when you’re trying to enjoy something and your mind gets dark and all your stresses resurface. Every song on the EP is written around the idea of familiar feelings. This was a song where certain lyrics came to me at different times. Whether winter was fading to spring or I was watching an Avengers movie, these thoughts wouldn’t leave me alone.

The speed of this song along with my exhausted lyrics and vocals has been a great coping mechanism for me as of late. 

Kris Khunachak executed a wonderful visual for this song (which can be found on our YouTube channel). We shot the video back in March in his garage where we also shot our music video for “Smoke (Bad Dreams)”. Kris has been carrying the scene on his back, and I can speak for the both of us when we tell you we cannot wait for you to see the latest project we tackled. 

I am working on my first full length record and I am self financing it. There are T-shirt’s for sale on our website (idlewaveband.com) and our Self Titled EP is available on Spotify, Bandcamp, YouTube and Apple Music. We hope you enjoy and share with your friends. Hope to see y’all at the next show!

VIDEO PREMIERE: Idle Wave - "Heaven Knows" ft. David Ross Lawn (Live in Studio)

Live Music Video screenshots by Kris Khunachak; Headshots by Elizabeth Kaminski.

Guy Battaglia - Voice and lyrics (Idle Wave)
David Ross Lawn - Piano arrangement
Produced by Idle Wave and Connor Hanson
Engineered/Mixed/Mastered by Connor Hanson
Directed, filmed and edited by Kris Khunachak Media

By Sonia Schnee | Posted by Sunday, September 15, 2019

TODAY marks the premiere of Idle Wave’s new music video, a live recorded studio session of their song “Heaven Knows.” Watch their music video (above) as well as take a listen on Spotify.

Idle Wave is a pop-punk/alternative band hailing from Asbury Park, NJ. We were fortunate to be able to interview Idle Wave’s Guy Battaglia (Voice/Lyrics) to learn more about the inspiration behind this song and the music video. For more information about Idle Wave, visit their official website, grab some merch, and of course, there’s nothing like a live and in-person performance, so follow Idle Wave on social media to find out where they’ll be performing next.

Congratulations on the release of your new music video, which is a live recorded session of “Heaven Knows.” (For those who don't know, “Heaven Knows” was originally featured on your self-titled EP that was released back in Dec. 2018.) . This new rendition of the song has quite a different feel to it. What inspired you to release an alternate, stripped down version?  

GUY BATTAGLIA: My good friend David Ross Lawn (who is responsible for a good chunk of our press photos) has a YouTube  channel where he covers Emo/Pop Punk bands such as The Wonder Years, Tigers Jaw, and Real Friends on piano. Once I saw his Wonder Years cover I immediately messaged him and it was a resounding “yes!” on his behalf. I’ve always wanted to do a music video for each song on the EP so this also helped fulfill that goal as well. Many if not all of the Idle Wave songs are written with the intention of first sounding good and full with just an acoustic guitar and vocals. Nothing captured the vibe better for Heaven Knows than when I ran through it in a voice lesson with Bryan Haring (Ernest). Bryan played piano to help provide a background to focus in on my vocals and it felt beautiful and natural. This version is also set to provide a nice glimpse into the future for the current Idle Wave fans. 

What can you tell us about the inspiration behind “Heaven Knows”? Which came first for you, the melody or the lyrics? 

I picked up my acoustic guitar in my living room one day and started playing open chords in E major. Once I honed in on a chord progression I began mumbling some odd melodies to fit over it. I want to say the melody came first but normally the melody and lyrics arrive simultaneously. The song is about the feeling of wanting to do more for someone you care about. It was one of the first complete songs I was able to write after my grandfather passed away. The juxtaposition of major and minor chords took me back to moments in the hospital waiting room and watching other families anxiously await updates regarding their loved ones. It’s difficult dealing with someone that like being out of your control, and I feel I succeeded in honing that emotion through the music and melodies of this song. 

Your voice on this version has a very raw and honest and yet calming quality to it. Are you classically trained, vocally? Are there any singers or songwriters who you look up to and wish to emulate? Is there anyone who you'd love to collaborate with one day? 

I am far from classically trained! I covered rock and screaming songs out of my range all through high school until I joined choir towards the end, and I earned a place in the bass section to hear my actual voice for the first time. I joined choir in college as well as took private voice lessons as much as I could to work on my form and longevity. After college I taught at private music academies where I was giving voice lessons to middle schoolers, and I have to say running through warmups with them and helping them perfect dynamics and form really helped me view myself as a vocalist better. Billie Joe Armstrong (Green Day) provided a good foundation for me growing up; he has a voice that sings fluently with character, that is just so easy on the ears. I took a lot of influence in my approach from that. Also, Soupy from the Wonder Years roars with emotion in every lyric and is one of the best lyricists in my opinion; so I learned a lot from singers in that genre on how to execute balancing lyrics and control. I’d actually love to collab with writer Danny Brown one day, despite him being an opposite of mine musically, I love every song he has ever created. He finds these drug-induced beats and is able to come up with the most perfect delivery to every line. I feel like he would help me step out of my comfort zone and look at music from a different perspective.  

The music video itself is beautiful filmed. Who’s the filmmaker that you worked with? Where can we see other works of his? Where did you film the video, and what was the filming process like?

Kris Khunachak! He has done the majority of music video for this EP (“Calm”, “Smoke”) and we are actually working on some new content as well. We filmed this video in Lakehouse Recording Studios (Asbury Park, NJ) with the help of engineer Connor Hanson (Cloud Hands, Ella Ross) and David Ross Lawn in a 2-hour session. I described this team of people as “the avengers” because everything was so natural and productive. We did cut five or six live takes of one-shot video and audio and then we chose the best take as they matched up. Connor mixed and mastered the audio while Kris color corrected and cleaned up the shot, and the final product was done in barely a week’s time.  

What can you tell us about the talented pianist who’s featured in the video?  

David Ross Lawn is a renaissance man who composes, teaches voice and piano, takes beautiful photographs and much more. He’s one of the sweetest people I have ever had the pleasure of knowing, and he is well loved by much of Asbury Park as well. I sent David the song and he immediately provided a brilliant, natural rendition complete with dynamics and unique chord voicings. His playing perfectly accompanied the raw emotion and attitude of my vocal performance. 

Have you been playing, or do you plan on playing, this alternate version of “Heaven Knows” during your live shows?  

I have mostly with myself playing acoustic guitar. It is not the same as David’s piano playing, but it gets the job done in situations where it is needed, and I have to say it is a crowd favorite most if not all of the time.

How do you hope listeners will react to the song? What do you hope they walk away with? 

Ideally, I hope it helps someone through their day. Belting along to other songs in this genre helped me deal with many of the stresses of being an anxious teenager transitioning into adulthood.  

Do you have any words of advice for individuals who may have had similar experiences to you or faced similar obstacles/challenges? Also, what words of advice would you give to up and coming musicians/performers who are trying to find their way? 

Find what you love and do it. Don’t be afraid to do something out of your comfort zone despite what everyone tells you. Any path you take will bring you obstacles and reward so find the reward that suits you best and is all you think about.

Finally, what are some ways that fans can connect with Idle Wave online? (Website? Facebook? Spotify? Etc.?) 

Fans can connect the MOST with us through our official website at idlewaveband.com.

We HIGHLY encourage you to check out our website and join our mailing list; you’ll receive exclusive access to sneak peaks, downloadable content, release dates, personal messages, casting opportunities, and giveaways.  

You can find us on Facebook, Twitter, Instagram, Bandcamp, Spotify, and Apple Music. @idlewavenj  

Interview with Wax On

By Sonia Schnee | Posted August 27, 2019

For the last five years, Jersey Indie has been dedicated to showcasing and promoting New Jersey’s many talented residents. As of late, we are expanding our coverage to also occasionally shine a spotlight on artists from surrounding states. One such group is Wax On, an alternative punk band hailing from Lowell, MA. On August 24th, they released their newest single, “congratulations! (So How Is That Band At the Glitterbox?).” Check out their song here, and then enjoy our interview with Wax On, below!

Who is Wax On comprised of?

Dan Cady - Vocals/Guitar
Nick Capezzuto - Bass
Jordan Collard - Trumpet
Mike Colucci - Drums
Luke Pelletier - Vocals/Guitar

But we’d be very lame without our art team, with Anna Stevens behind concept art and Wiley Bumtail behind the camera.

Tell us about your style. Who are some of your musical influences? Is there anyone you’d like to collaborate with one day?

We’ve been dubbed a variety of things, but the ones we feel best capture what we’re chasing sonically is experimental and theatrical punk. We’d like to think this comes from a blend of all of our individual influences.

Jordan, our trumpet player, reveres veterans like Clifford Brown and Dizzy Gillespie along Dan’s upstrokes and ripping guitar licks (think of Dimebag as a rudeboy).

Meanwhile, Colucci ushers in a mix of percussive inspiration from dudes like big-band baddie Irv Cottler and like Travis Barker.

As far as collaborating goes, it might be cool to cut a record and get feedback with Salaam Remi or Sunny Levine. Or Sylvia Massy. They all produce really amazing records, each with their own particular flavor.

How did Wax On come to be? How did you all find each other? What’s your journey been like so far?

Wax On was Dan’s ska brainchild from high school. Nick joined shortly after. Dan and Nick are both from North Reading so they found each other with a map. The two linked up with Colucci and Luke around the University of Rhode Island. Luke and Colucci had been playing for years before college, so when they both ended up attending URI they just picked up where they left off — now with a dedicated bass player and additional guitarist. Jordan was picked up on the road actually. The band had been playing around Narragansett and Providence. We played a few gigs with this one band, The Broken Few, now defunct. Jordan played drums but filled in on a few of our sets with a trumpet, seemingly from left field. In an attempt to justify our self-branded ska identity, we asked the heavenly horn player to join as an official member.

The journey has been educational, eye-opening, hilarious, difficult at times, but most importantly fulfilling. We’re noticing bits and pieces of what we’d like to call success. Our performances have tightened up dramatically, pun intended. Our newer compositions indicate how much we’ve evolved toward serving the music. We’re making friends that open us up regularly to new perspectives, new ideas. Especially regarding our first 10-day tour, which just recently ended, we’re growing as musicians and as friends.

Your newest single. What’s the inspiration behind the title? What’s the song about? How do you hope people will react to it?

OH...the title….. One thing I (Luke) will always love about music is the novelty elements in music production and distribution. The title is a combination of what we were told upon leaving a super costly social institution versus what we felt like (decipher the acronym in parentheses). On the whole, it's mostly about feeling angry and lost as a millennial. Whether there's a narrative in the lyrics or not, that's up to you. I’d like to think people would agree with the sentiments, but I hope people find the humor in it, too. The song itself is supposed to be as critical as it is funny. Between the obnoxious voice of a sorority girl caricature and the straightforward pop/rock song structure and feeling that accompanies feelings of desolation derived ironically from successfully completing a very challenging chapter in my life, there’s a powerful mix of comedy and frustration. I also really hope folks pay attention to the lyrics close enough to want to listen to other lyrics we’ve written. We’ve toiled in all our music to make sure every word conveys exactly what we mean and delivers in making a moving impact or inspiration on a listener. Lyrics are the most intimate communication between a songwriter and an audience because they marry the worlds of art and language, so it’s super important to us that we’re understood, y’know?

What’s next on the horizon for you? Do you have any shows coming up? Have you played in NJ before/have any plans to tour in NJ in the future?

We have a handful of gigs happening between Rhode Island and Massachusetts, although we'd love to come back to NJ sooner rather than later, maybe before the snow starts falling. We played in Hamilton Township at The Foster House with this sweet band, Parish. I would be willing to make the drive even without playing music to check out our friend Joe's family bakery again. But for now, we’re gonna keep doing what we’re doing, which to mature our image and sound everyday, market it harder, stronger, and encourage the minds and hearts of as many people as possible.

What words of advice would you give to someone who’s got a similar dream or has maybe faced obstacles similar to yours?

Practice.

Meditate before breakfast.

Don’t let discouragement paralyze you, let it push you to do better.

Listen and expand your knowledge of subjects that interest you. Don’t say you don’t like anything unless you’ve invested substantial time in trying it and you’re SURE you don’t like it.

Go to your friends’ shows. They need your support.

Be open to conflict, and seek to resolve it peacefully and intelligently.

Address problems head on but don’t be mean!

Have patience and things will start turning around for you.

Try to tell at least one person that you love them more often.

Is there anything else you’d like to add?

Magic is real. The subconscious is a physical universe with its own laws and morals that we must learn to access. Jeffrey Epstein was murdered because he had way too much dirt on other powerful humans.

Finally, how can people find you on online (website, Facebook, YouTube, Spotify, etc.)?

Our Instagram account is the most active on the social media spectrum @wax_onnnnnn, however we do keep up to date with our Facebook page. We’ll post updates on gigs, new music and goofy pictures of ourselves. You can find our first full length album, Homework, on Spotify, iTunes, Bandcamp, and all other major streaming platforms.

'Morning Coffee' is a track off our second album "Homework." HUGE thanks to our dear friend, Vernon West, for making this possible. This was some of the most fun we've had as a band, so we hope all of you enjoy it too :)

this is pretttyyyy accurate as far as what to expect with gigs!

Rachel Ana Dobken - When It Happens To You (Interview)

By Deaglan Howlett | Posted August 13, 2019

Rachel Ana Dobken is a singer, songwriter and multi instrumentalist based out of Asbury Park. Her latest release, When It Happens To You, is raw, inviting and familiar. Her songs touch on the human condition and how we are all much more similar than we sometime realize. Rachel was kind enough to let me ask her some questions about the album, her songwriting process and her eclectic mix of influences.

How did you come up with the title, When It Happens To You?

So, the title of the record actually came to me in the form of a poem. Essentially, it’s about the concept that we don’t know what an experience is like until we go through it  ourselves. Someone can tell you, “Oh I can give you all of this advice, but you won’t know what it means, what it truly feels like, what to DO and what is right for YOU until it happens to you.” It came to me just like most of my writing does— subconsciously and at a time when I wasn’t thinking about it at all. I originally thought, I will make this into a song and use it as lyrics! Which I may still do… if you’d like to read it (this is a condensed version there's about 3 more stanzas!):

When it Happens to You

Then you know what to do

Know exactly what I am going through

Hope it happens to everyone

You and you and you…

So that you know what to do

When it happens to you

Our pride and preferential being

Existing within this sphere we call earth

Acting as if we have each other

When all we do is try to live first

Selfish, but it comes from a place of fear

Of wanting of wishing of hoping oh so much

That you'll find love, connection, acceptance, and trust

Pick me look at me love me respect me!

Because all we all ever want is acceptance

From you from me.

From every living thing.

It seems so hard to find

If you think of it this way...

Or maybe not?

When it happens to you

You will know what I mean

Hope you figure out what to do

When it happens to you

….

When did you start writing for this release?

Well, the oldest song on the record I wrote in 2013 when I was still living in Upstate NY post-Bard College. That song is “Got Away.” The second oldest song is “Belief Beneath” which came to me in 2015 and was completed shortly after my debut EP Detach was completed. The majority of the songs came to me within the past year, and I’d say about 40% of the songs were completely flushed out. It really all came together once we started tracking and mixing.

 What is your writing process like?

My writing process is very fluid and organic. Ironically, it’s the opposite of how I’d describe myself— it’s relaxed, free, organic, flowing….

I don’t choose when or where songs come to me, or even what they sound like. They just do. It’s almost like its own spiritual entity (not to get all “hippy-dippy” on you here). I find when I allow the art to speak for itself and come out when it needs to, it always does and does so in a compelling way. I worry that I will run out of material but honestly, every time I think this, something better musically and philosophically comes to me. Something is always rattling around in my brain and is always dying to come out. Usually I’ll hear parts of a song when I am most able to let go and clear my brain (showering, when I’m falling asleep, while going for a run), when I am not thinking about anything at all.

A lot of times it can be after my brain is going for days and I’m coming down from, or feeling residual emotions from whatever situations are going on in my life. The next thing I know I’m in the shower and an entire melody comes to me, a lot of times in conjunction with a lyric. I have a basic idea of “this little line is definitely a chorus or a verse.” Almost immediately after I know, “oh ok this is what the groove is, this is what the drums will be doing.” And then I’ll have an idea, even if the parts have not come to me yet, where the song is to go.

Typically, (especially if I’m feeling wildly inspired or going through something) I will continue to hear parts throughout my days and weeks and won’t be able to escape it. The song just happens. Usually, after a structure is set the lyrics will come. It always varies in different ways and each song has its own set of similar yet different creations. After that, I’ll sit down a couple of times and work through until lyrics and structure are all flushed out! Then comes the workshopping with the band! 

Influences for this album?

Well, I listen to everything but I don’t try to sound like anyone. I just know what I love and for me it comes back to, the groove and genuineness— intention behind the music. Don’t worry about the bullshit, don’t worry about people and your “image”, just hone your craft and be true to YOU. I guess I will answer this in regards to production, and where I saw the record fitting sonically in 2018. It was (sort of but not really) all over the place. Sometimes when referencing where the drums should sit, we’d pull up Allen Stone. Other times for vocals, it would be Lake Street Dive (I get the vocal comparison to Rachael Price a lot wooo go Rachel’s)! Guitar-wise, My Morning Jacket and White Denim… I could go on and on.

Photo by Danny Clinch

What was it like producing your own record?

It was fantastic and insanely overwhelming. I’m a perfectionist and I thrive off of being in control, so I definitely drove myself crazy at times (surprise, surprise)! I am so proud of the way the record came out, so proud of the work we created. Everyone told me during the process (while I was pulling my hair out) that I would be so incredibly proud of what I was achieving. But in the moment it was insanity at times. Listening to mixes over and over again and losing context, having to make every little decision from what take should we use to what guitar tone works best? I didn’t know how much panning mattered before this record… Should the drums be “wetter” and the guitar more “dry”? All of these decisions fell on my shoulders and I had to eventually be like, “whatever fuck it, I can’t care anymore, let’s just say it’s great. I have to be done…” But, as an artist with a vision, as someone who hears exactly what they want down to the last riff (I’m soooo happy with that ending to “Understand”) it’s extremely rewarding to know that you’ve created something with 100% authenticity true to the art itself. I know that isn’t always the case, but I will for damn sure strive hard to make sure it is in my music career.

Who did you work with?

Great question to follow-up with because as much as I loved to produce this, there is no way I could have without the help of the folks who gave me constant feedback and who played with me… let’s start with my engineers Tim Pannella and Joey Henderson— simply the best.

Then the players—Dan Haase (bass), Ryan MacLean (lead guitar), Andy Jackle (drums—”Intro,” “Got Away,” “Taking My Time”), Chris Dubrow (bass—”Us,” “Taking My Time”), Joey Henderson (guitar—”Always,” “Intro”; vox—”Belief”), Mark Masefield (b3), Ian Gray, Denis Daley, Bruce Krywinski (trombone, sax, trumpet), Danny Clinch (harmonica!) and I played drums, guitar, piano and sang. It was mixed by Kyle Joseph and mastered by Justin Colletti…

I’d be nothing especially without Chris Dubrow (who truly helped me get this off the ground organizing my thoughts and sounds through the pre-production phase), Dan (such an incredible player and amazingly helpful opinions, Dan and I have a great flow and a lot of respect for each other as musicians—I’m extremely grateful to him and our musical chemistry), Joey (oh man, thank you Joey, my right hand man in so many ways, Joey and I think, hear and feel things in a very similar fashion and we happen to have very similar musical influences)... and of course everyone else. Even the musical friends and my boyfriend who gave me feedback and lent me an ear to know I had to get the fuck out of my head—Renee Maskin, Tara Dente, Joe Michelini…

Favorite song you have written? Why?

Whew, this is a tough one… I think for this record it’s either “Understand,” “Everybody Wants” or “Learning How to Let Go.” In regards to “Understand” and “Learning,” its for similar reasons. I love the sentiments of what they captured, and more so I think because it’s something I live and struggle with frequently.  This gnawing feeling that we have as a society, as people, as artists to compare and be down on ourselves for being different or wondering why we aren’t succeeding at a pace we expect, in any situation.

It’s a coming to terms with reality in the moment, but also allowing yourself to feel the feelings rather than fight with them. Not understanding all the time why you’re having them but just accepting that…

“Everybody Wants” is an epic love song and is in other ways one of the best track on the album (lyrically well-written, easily accessible, showcases my vocals the best)…

Who are some other artists you feel define your sound?

I love so much music, I’m such a music nerd I could cry about my love for the medium—I know this is why I keep going… some of my biggest influences, and you can make the call whether or not you hear it!: My Morning Jacket, The Band, Jeff Buckley, Incubus, John Mayer, Paul Simon, Fiona Apple, Amy Winehouse, White Denim, Thelonious Monk, Julie London, Patsy Cline, Ray Charles… the list goes on and on…

Future plans?

I’m planning out 2019 and trying to figure out our gigs. I am in the works of figuring out some music videos, and I do have an unreleased single that will come out probably in the spring—keep the eyes and ears peeled! 

~

Spotify: https://spoti.fi/2PSjhSQ

Apple Music: https://itunes.apple.com/us/album/when-it-happens-to-you/1438758369

Bandcamp: https://rachelanadobkenmusic.bandcamp.com/ 

Interview with Joe Mifsud (Singer, Songwriter, Musician)

By Sonia Schnee | Posted Friday, May 17, 2019

In 2013, Bergen County singer, songwriter, and multi-instrumentalist Joe Mifsud released his sophomore album, Stay Calm And Carry On. Drawing from a variety of influences, his music has a decidedly alternative/rock/pop bent with new folk/lo-fi elements via his side project, Here for Now. (On top of that, Joe is also a standup comedian. Check out his Facebook page for upcoming performance dates.)

Now in 2019, Joe is ready to jump back into the scene, writing new songs, playing shows, and meeting/collaborating with like-minded creatives and music lovers. Before you listen to his new work, be sure to check out some of his past gems, as well as our interview below to find out more about his personal journey and hopes for the future.

What’s your name, where are you from originally, and where are you based now? 

My name is Joe Mifsud. I was born in New York, New York but grew up in Harrington Park, NJ in Bergen County. I currently reside in Harrington Park.

Tell us about your musical background. You do a bit of everything -- singing, songwriting, and playing multiple instruments. How would you describe your genre/style?  Who are your influences?  

I've generally described my music as a cross pollination of several influences, but if I HAD to describe it to people I usually say my sound would be if The Beatles met The Foo Fighters. Or just very Foo Fighters-like in nature.

Musically, I play guitar, bass, drums, sing, write my own lyrics and music. I do enjoy a lot of different types of music. Growing up, my dad really enjoyed Motown music, Doo-Wop music and the Jazz and Soul Singers. My mom listened to all different types of Spanish Music and top radio hits of the 80's. My sister listened to a lot of jam bands like Phish & Dave Matthews Band along with early 90's Alternative Rock. My brother was listening to 80's Metal and Progressive Rock like Rush when we shared the room together when we were kids.

My childhood best friend Kevin and I listened to a lot of 90's Alternative Rock as we grew up as well as a lot of Classic Rock. We would raid his parents' Classic Rock collection. My influences are many to name but a short list would include The Beatles, Pink Floyd, Led Zeppelin, Creedence Clearwater Revival, The Who, Black Sabbath, Nirvana, Pearl Jam, Radiohead, Foo Fighters. More importantly to me were the local influences, musical peers and my brother (who used to play guitar and bass in a band) and my dad (who used to sing in a barbershop group with his friends on the street corner).

What's the inspiration behind your music? How has it progressed over time? How do you hope people will feel when they listen to it? 

The main inspiration behind my music is relationships.
Not always a romantic love relationship,
but it comes from a very literary sense.
Man and nature.
Man and woman.
Man and himself.
Man and society.

I appreciate the very therapeutic value of songwriting. I tend to write very autobiographically as a way of coping and understanding myself and the world around me. I have been fortunate to use music and songwriting as a way to develop my personal and artistic voice. I hope that people find a connection and comfort in what I bring to music. Music to celebrate the good times and good memories and bring people together. Music to find solace and comfort in during the hard times. I hope that people are able to connect with the music on some level that strikes them even if it is just the tone or sonic soundscape or the lyrics and message or all of it. 

Ultimately, I would like to give back to music what it gave to me. Music gave me a sense of home, comfort and purpose.

What has your personal journey been like?  When did you discover that you loved music?

My personal journey started when I was young. My earliest memories of music were listening to Spanish music in the living room and tapping out the rhythm on the conga drum with my dad. The first song that really struck a chord with me was The Beatles' “Lady Madonna” because of the ragtime-type groove and the cartoon-like vocal section that reminded me of a Looney Tunes song. I loved when there would be classical music in cartoons when the characters would have a play off of classical songs on piano. Queen's “Bohemian Rhapsody” is my favorite rock song of all time. Nothing quite captured my imagination in so many ways about the possibilities of Rock than “Bohemian Rhapsody”! As I got to be about ten or eleven years old, the first band that I was able to claim as my own was Nirvana. “Smells Like Teen Spirit” and its accompanying music video blew me away! When I saw Dave Grohl playing the drums, I knew that I wanted to do that! Play Drums! Play Music for a living ! I felt empowered by Nirvana and their music because, similarly to The Beatles' effect, they were just normal people making great music. I felt like I could do it, too, and that it wasn't totally beyond me.

 I discovered that I loved music very early on in my life and that it became a goal and a challenge that I accepted to be like my heroes. I wanted to learn to sing, write lyrics, play instruments and write my own original songs with a level of proficiency.

What are your goals as an artist? What would you like to accomplish by the end of this year? What kinds of people would you like to meet?  Are there any artists, bands, or producers who you'd love to collaborate with one day? Do you have any shows coming up? 

My goals as an artist are to have the music reach people and touch their lives in a positive way. By the end of the year, I would like to have accomplished jumpstarting a life in music and sharing music that I've written with as many people as possible and through multiple channels such as live shows, interviews, social media, streaming services, reviews and podcasts, personal connections, etc. I would like to reach people that genuinely love, support and appreciate music and the arts. I am open to meeting people that are creative, passionate and awesome! There are many artists, bands or producers that I'd love to collaborate with one day. At the top of my lists would be Rick Rubin for producer and Dave Grohl for Musician.

I do not have any shows coming up, but I am looking to plan shows for 2019 and beyond and will keep you updated!

What words of advice or encouragement would you give to someone who wants to follow a similar passion, or is maybe facing obstacles similar to what you've faced?

Words of advice or encouragement that I would give to someone who wants to follow a similar passion or is maybe facing obstacles similar to what I've faced: Believe in yourself. Trust your voice. Trust the process and trust that an audience will be attracted to your vision. Always stay true to yourself and the original vision because when it's all said and done you have yourself to be accountable to.

DO! Don't let anxiety or insecurity or excuses counteract productivity. Your older self will thank your younger self. 

Create, Create, Create! Hopefully you get a job where you have the time and income to fund and realize your art without interference.

It may take time but stick with it!

I will be your fan! 

Where can people find you online (Facebook, Twitter, Instagram, Soundcloud, Bandcamp, Spotify, YouTube, etc.)?

Official Music Website: https://www.mifmusic.com
Facebook: https://www.facebook.com/JoeMifsudBand 
Bandcamp: https://joemifsudband.bandcamp.com/
Spotify:  https://open.spotify.com/artist/1l3m0OFBgPLMmgssBl3cBO
Instagram (Seldom Used but I should use it more): https://www.instagram.com/mif95/?hl=en
Twitter (Seldom Used but I should use it more): https://twitter.com/JoeMifsudBand 

YouTube (Videos including live, promo and music videos that I've uploaded):  https://www.youtube.com/user/davidbedert/videos

YouTube Official Music from the Albums: 
https://www.youtube.com/channel/UCyz5pd9_aSOU0ROmAMHGWlg

For the Streaming Music, the music is available on all streaming platforms such as Apple Music, Spotify, Deezer, Amazon, Tidal, Google Play, etc.

My side acoustic/indie/folk project is called Here For Now. The album is called Letters Home.

Here For Now Facebook : https://www.facebook.com/herefornowband/
Here For Now Bandcamp : https://herefornowthereforlater.bandcamp.com/album/letters-home-there-for-later-edition

Also available on all streaming music platforms - Here For Now Letters Home

Interview with Derek Garabedian (True State Management)

By Sonia Schnee | Posted Thursday, December 20, 2018

What are you doing tonight? At 8pm, you could be enjoying the first-ever kick-off show of the “True State Presents:” concert series, at The Wooden Spoon in Bloomfield, NJ. Performing acts include pop-punk band Boy Blue, alternative rockers Wave Break, alternative/emo/shoegaze band Rémis, and Dover/Rockaway rock band Champ. Admission is free. Check out our interview below with concert series organizer Derek Garabedian of the artist development company True State Management.

What's your name, where are you from, where are you based now?

My name is Derek Garabedian. I am originally from Massachusetts, and I am now based in Mountainside, New Jersey.

You run a management company, True State Management. When did that first start? What bands are on the roster, and where are they from?  

True State management started only about 6 or 7 months ago (early summer 2018). The bands we have on roster right now are Hang Tight (@hangtightband), Black Caddy (@blackcaddynyc), The Summoned (@thesummoned), and Cat in the wall (@catinthewallband). All the bands are different genres — pop punk, hip hop, prog metal, and indie rock, in that order. The reason we are working with all genres is to expand our reach as much as possible. We are learning a lot within in each genre and it allows us to be in tune with everything going on. We believe in working with talented people, and talent exists in all genres of music.

Tell us about this new Bloomfield concert series. What is it about Bloomfield that attracts you?

I think North/Central Jersey in general is lacking in live music venues especially for local bands. Bloomfield is a city that has so much going on and is a very diverse place. The opportunity to have different genres and  bring a lot of different people together is very appealing to me.

What inspired you to want to do this? What are your goals?

The reason I am starting the “True State Presents:” concert series is to help create a thriving music scene and community, while at the same time expanding my network to make everything True State is doing reach a larger scale. The goal of the concert series is to create scene that is willing to help each other and bring excitement about local music!

How often are the shows?

 We are scheduled to one show a month right now but will be expanding in the near future. 

What kinds of bands do you hope to participate?

Right now we are starting out with Pop-Punk and Indie style bands. With that being said, we are looking to book for all genres in the future. If anyone out there is interested in booking with us please reach out, we would love to talk!

What kind of audience do you hope to reach?

I would love to bring in all types of passionate and contributing music fans.

Tell us a little bit about yourself. How did you get started with music? What's been your personal journey?   

The way I got started in music is a pretty typical story, I think. Me and a bunch of friends used to skateboard and listen to music. We all decided to get different instruments and start a band. The rest was history; I never stopped playing.

My journey is that after years of playing in different bands, I was lucky enough to end up with a record deal and got to tour the country. After that fizzled out and I got a little older, I started a family and took some time off of music. Eventually, I missed music too much and since I can’t tour myself I wanted to use what I learned to help other musicians on their own journey, by using the things I experienced in the past. Now we are here doing what I hoped to accomplish: helping bands! 

What words of advice or encouragement would you give to someone who wants to follow a passion similar to yours, or is maybe facing obstacles similar to what you've faced?  

Our biggest hurdle was to just pull the trigger and get started. I have been working on ideas for a long time, years even, on how to execute and what kinds of paths to take. The key is to just do it and roll with what comes your way. Utilize your passion to help others and make yourself happy.

Finally, how can people find out more about you/the Bloomfield concert series/True State Management online? (Website? Bandcamp? Facebook, Twitter, Instagram, Youtube, etc.?)

You can find everything about our bands, us, and our shows on our website www.truestatemanagement.com and our socials (@truestatemgmt) on all platforms.

Is there anything else you'd like to add?

The thing I always stress to our bands and music fans is to always support in any way you can and to work as hard as possible to make it happen. I always tell bands, you should be trying to work harder than us (it won’t happen), but that should be the mindset. Help other bands get shows, go out to shows, even if you aren't playing (I know it's a crazy concept). The more friends you make and the bigger the network you have, the better you will do!