By Gregory Burrus | Posted Monday, November 15, 2021

While I always thought of our 24 Hours Of Music Jamboree as a local event, live music is universal and musicians that have performed locally actually come from everywhere.

One of the performers that performed in person in the 2019 3rd Annual 24 Hours of Music Jamboree was Kumiko Tanaka during the Jazz Jam session. This was pre-pandemic, all live in-person events, and we didn't record a lot as we were in person. Then, the COVID Pandemic hit us all.

5th Annual 24 Hours Of Music Jamboree

For 2021, we had to be cognizant of the pandemic that still exists while still addressing international travel band restrictions.

Our 5th Annual 24 Hours Of Music Jamboree (2021) ended up being a hybrid affair of live in-person performances in South Orange, NJ and a series of online performances on our 24 Hours Of Music Jamboree channel. One online broadcast was the Kumiko Tanaka Trio.

Kumiko Tanaka Trio Performance

The Kumiko Tanaka band members performing are:

Kumiko Tanaka
Yuma Kimura
Hironori Sato

As you can see, Kumiko Tanaka Trio’s performance was absolutely wonderful.

Loving this performance and knowing that folks in Japan faced a lot of the same pandemic challenges we do in performing live music, I requested some background. I asked about how they prepared, how they felt about their performance and how it was received by their audience in Japan. The following are a few observations by Kumiko Tanaka.

Question & Answer with Kumiko Tanaka

Describe the Planning / Preparation Process.

Scheduling

KT: When we decided to participate in the 2021 24 Hours Of Music Jamboree, our first decision was to schedule a performance date and it was June 12th. The venue contained very few customers due to the limited number of people because of social distancing. So I decided to call this year's session, Love, Peace & Soul, which we had a connection with as last year's session host. We also decided on this venue because Hironori wanted to play the drums.

Venue Selection

The state of (COVID Pandemic) emergency, which was originally supposed to be over by May 31st was postponed for two weeks. The live music venue which had been operated per the government's request, had to postpone our scheduled event. After careful examination and various adjustments, we decided on July 10th, but then the state of emergency was announced again from July 12th to the end of August. Now there was a possibility that it would not happen at all, but this time we were lucky.

Video Recording Software

For shooting this event, we used three cameras. There were two fixed angles that Yuma brought in and set up. The handheld camera was managed by my friend. When I told him that I would perform a live music performance and it would be delivered for the 24 Hours of Music Jamboree event in America, he offered to help with the videography. I was so happy with this unexpected help.

Video Editing

Since I had never produced a multi-angle video, it took a lot of time to learn how to use the application software. I'm the type who doesn't read the manual properly, so I asked Yuma to help me with learning how to use the software and camera. Now it became fun to think of camera placement and when to change capture angles while recording the session. The handheld camera captured the player's hands and facial expressions. My friend with handheld camera humbly states that he “only took video,” but he is "shadow actors" or "Behind-the-scenes supporter."

Video Recording Equipment

The equipment used was:
Front camera: Canon HF M52
Stage Left camera: Sony ZV-1
Handy camera: Sony α7III
Recorder: Roland R-26 created with DaVinci Resolve 16, Ableton Live Software.
These Japanese cameras performed very well.

Video Mixing and Editing

I edited the footage from the three cameras and Yuma mixed the sound of the camera and the recorder. As a result, I'm happy that it became an interesting video with movement and scene changes.

Describe the event and some thoughts about the performance.

Band Prep & Song Selection

Yuma and I chose selected songs so that the songs playing the melody would be halved. I wanted to stick to the arrangement, so I searched for various versions on Youtube and used what I found as a reference. I made a musical score and gave it to Yuma. However our drummer, Hironori, is totally blind so I explained it all during the rehearsal and he recorded it and remembered it. I think he had a hard time, but in the end all the songs were played according to the song's original score. I have to say, and I think you will agree, that our drummer, Hironori, is absolutely amazing.

July 10th Event Playlist

1st Set

Ribbon In The Sky
Street Life
Let's Stay Together
Creepin'
Armando's Rhumba

2nd Set

Kool
Lost Stars
Bright Size Life
Happy
Virtual Insanity
What You Won't Do For Love

Encore

Sunny

As background, the “Happy” (by Pharrell Williams) song was selected because when I went to NY in 2014, I was very impressed by the listeners at a jam in Robin's Nest in NJ who were singing the song "Happy." So I decided to play “Happy” and asked for audience participation with clapping and singing. The song “Happy” pleased our customers tremendously.

In developing this event for 24 Hours Of Music Jamboree, I am glad I asked about the beautiful blue garment Kumiko wore while performing.

On the Yukata

The blue kimono is a traditional Japanese garment worn in the summer and is called a "yukata.” Many people wear it at festivals such as summer fireworks festivals, but I rarely wear it, so I practiced how to wear it properly. Since the hem is long, I needed a place with a clean floor which took about 15 minutes to get ready, so I wore it at home and went to the live music venue. Even though it's summer clothes, it's not as cool as it looks, but much hotter than regular clothes, hence I was sweating all the time, and because it's squeezing my abdomen with strings and obi, it's much more painful than usual. There are many sacrifices made for the beauty of our appearances. I respect the ancestors who wore it every day.

Audience Response

During the actual live performance of “Ribbon in the Sky”, which was the first song we played, I read the lyrics in English and then translated them into Japanese. It's a very beautiful and moody song. However, when the performance of the song was over, it quietened down and no one applauded. We were shocked.

When I asked a listener later, she thought that they had to listen quietly like a classical concert. It was a phenomenon that clearly showed the politeness, quietness, and respect for the music by our Japanese people.

References

Just like in person, nothing beats a live performance, and when it's a live performance, anything can happen and Kumiko should be applauded for the preparation issues and challenges the band faces to make these live performances happen. The adrenaline of a live performance is unlike anything else and, as musicians say, the real test of a musician is a live performance on stage. Kumiko’s 24 Hours Of Music Jamboree performances are always well-received by our listeners and it's good to know they are liked at home, also. We thank Kumiko Tanaka, Yuma Kimura and Hironori Sato for performing and delivering a wonderful performance each year.

About Gregory Burrus

Gregory Burrus, Founder of 24 Hours of Music Jamboree, is a local live music ambassador, event planner and community partner that develops, manages, promotes and documents local community events in the Greater New Jersey and New York Area. Gregory Burrus loves helping people succeed by producing and promoting live music events all around our towns. For more information, visit gregoryburrusproductions.com.